Heavy modularization for ease of development! convmlv.sh is now just a chooser, triggering functions in src. More work to do.

deploy.sh

@@ -0,0 +1,24 @@
+#!/bin/bash
+
+VERSION=$(echo "$(./convmlv.sh -v)" | sed -e 's/\./\_/g')
+REMOTE=sofus@yeti
+
+if [[ $OSTYPE == "linux-gnu" ]]; then
+        PLATFORM="linux"
+elif [[ $OSTYPE == "darwin11" ]]; then
+        PLATFORM="mac"
+else
+        echo "Platform not yet supported! Contact me at contact@sofusrose.com."
+fi
+
+rsync -avzP release/convmlv-${VERSION}-${PLATFORM}.tar.gz $REMOTE:/data/main/convmlv/
+
+ssh $REMOTE VERSION=$VERSION PLATFORM=$PLATFORM 'bash -s'  << 'ENDSSH'
+
+cd /data/main/convmlv
+tar -xvzf /data/main/convmlv/convmlv-$VERSION-$PLATFORM.tar.gz
+rm /data/main/convmlv/convmlv-$VERSION-$PLATFORM.tar.gz
+
+ENDSSH
+
+echo -e "\nRemember to update apt dependencies on $REMOTE"!

mkrelease.sh

@@ -12,6 +12,7 @@ VERSION=$(echo "$(./convmlv.sh -v)" | sed -e 's/\./\_/g')
 
 REP_PATH="$(pwd)"
 BINPATH="${REP_PATH}/binaries"
+SRCPATH="${REP_PATH}/src"
 RELEASE="${REP_PATH}/release"
 
 mkdir -p "$RELEASE"
@@ -24,5 +25,5 @@ else
 	echo "Platform not yet supported! Contact me at contact@sofusrose.com."
 fi
 
-cd "$BINPATH"
-tar -czvf $RELEASE/convmlv-${VERSION}-${PLATFORM}.tar.gz ../balance.py mlv2badpixels.sh mlv_dump raw2dng cr2hdr ../sRange.py ../CHANGELOG ../licence ../convmlv.sh ../color-core/ ../color-ext ../DEPENDENCIES ../docs/MANPAGE ../docs/docs.pdf ../docs/workflow.txt ../configs/*
+cd $REP_PATH
+tar -czvf $RELEASE/convmlv-${VERSION}-${PLATFORM}.tar.gz binaries/ src/ CHANGELOG licence convmlv.sh color-core/ color-ext DEPENDENCIES docs/MANPAGE docs/docs.pdf docs/workflow.txt configs/*

src/core/develop.sh

@@ -0,0 +1,808 @@
+setRange() {
+	#FRAMES must be set at this point.
+	if [[ $isFR == true ]]; then #Ensure that FRAME_RANGE is set with $FRAMES.
+		FRAME_RANGE="1-${FRAMES}"
+		FRAME_START="1"
+		FRAME_END=$FRAMES
+	else
+		base=$(echo $RANGE_BASE | sed -e 's:s:0:g' | sed -e "s:e:$(echo "$FRAMES - 1" | bc):g") #FRAMES is incremented in a moment.
+		
+		#~ FRAME_RANGE_ZERO="$(echo $base | cut -d"-" -f1)-$(echo $base | cut -d"-" -f2)" #Number from 0. Useless as of now.
+		FRAME_RANGE="$(echo "$(echo $base | cut -d"-" -f1) + 1" | bc)-$(echo "$(echo $base | cut -d"-" -f2) + 1" | bc)" #Number from 1.
+		FRAME_START=$(echo ${FRAME_RANGE} | cut -d"-" -f1)
+		FRAME_END=$(echo ${FRAME_RANGE} | cut -d"-" -f2)
+		
+		#Some error checking - out of range values default to start and end.
+		
+		if [[ $FRAME_END -gt $FRAMES || $FRAME_END -lt $FRAME_START || $FRAME_END -lt 1 ]]; then FRAME_END=$FRAMES; fi
+		if [[ $FRAME_START -lt 1 || $FRAME_START -gt $FRAME_END ]]; then FRAME_START=1; fi
+		
+		FRAME_RANGE="${FRAME_START}-${FRAME_END}"
+	fi
+}
+
+develop() {
+	trap "rm -rf ${TMP}; exit 1" INT #TMP will be removed if you CTRL+C.
+	for ARG in "${FILE_ARGS_ARRAY[@]}"; do #Go through FILE_ARGS_ARRAY array, copied from parsed $@ because $@ is going to be changing on 'set --'
+		ARG=$(readlinkF "$ARG") #Use platform-independent readline.
+		
+	#The Very Basics
+		BASE="$(basename "$ARG")"
+		EXT="${BASE##*.}"
+		if [[ "${EXT}" == ".${BASE}" ]]; then EXT=""; fi #This means the input is a folder, which has no extension.
+		DIRNAME=$(dirname "$ARG")
+		TRUNC_ARG="${BASE%.*}"
+		SCALE=`echo "($(echo "${PROXY_SCALE}" | sed 's/%//') / 100) * 2" | bc -l` #Get scale as factor for halved video, *2 for 50%
+		setBL=true
+	#Evaluate local configuration file for file-specific blocks.
+		parseConf "$LCONFIG" true
+		
+	#Check that ARG exists and works.
+		local action=$(checkArg)
+		if [[ $action = "skip" ]]; then
+			let ARGNUM--; continue
+		fi
+		
+	#Color Management - The Color LUT is chosen + applied.
+
+		#We define what "STANDARD" means. Gamma 2.2 if it's not specifically defined.
+		if [[ $COLOR_GAMUT != "xyz" ]]; then
+		
+			#~ if [[ $COLOR_GAMUT == "aces" ]]; then #List of Linear Only gamuts. XYZ excluded, in that that's default output; no filtering needed.
+				#~ COLOR_GAMMA="lin"
+			#~ fi
+		
+			if [[ $COLOR_GAMMA == "STANDARD" ]]; then
+				if [[ $COLOR_GAMUT == "argb" || $COLOR_GAMUT == "ssg3c" ]]; then #List of gamuts with Gamma 2.2 .
+					COLOR_GAMMA="y2*2"
+				else
+					COLOR_GAMMA=$COLOR_GAMUT
+				fi
+			fi
+			
+			for source in "${COLOR_LUTS[@]}"; do
+				colorName="${source}/lin_xyz--${COLOR_GAMMA}_${COLOR_GAMUT}.cube"
+				if [[ -f $colorName ]]; then
+					COLOR_VF="lut3d=$colorName"
+					colorDesc="Color Management LUT"
+					FFMPEG_FILTERS=true
+				fi
+			done
+			
+			if [[ $COLOR_VF == "" ]]; then
+				echo -e "\033[0;31m\033[1mSpecified LUT not found! Is color-ext loaded?.\033[0m\n"
+			fi
+				
+		fi #COLOR_VF is nothing if the gamut is xyz - it'll pass directly out of dcraw/IM, without LUT application.
+		
+	#Construct the FFMPEG filters.
+		FINAL_SCALE="scale=trunc(iw/2)*${SCALE}:trunc(ih/2)*${SCALE}"
+		if [[ $FFMPEG_FILTERS == true ]]; then
+			V_FILTERS="-vf $(joinArgs , ${COLOR_VF} ${LUTS[@]} ${HQ_NOISE} ${TEMP_NOISE} ${REM_NOISE} ${SHARP} ${DESHAKE})"
+			V_FILTERS_PROX="-vf $(joinArgs , ${COLOR_VF} ${LUTS[@]} ${HQ_NOISE} ${TEMP_NOISE} ${REM_NOISE} ${SHARP} ${DESHAKE} ${FINAL_SCALE})" #Proxy filter set adds the FINAL_SCALE component.
+			
+			#Created formatted array of filters, FILTER_ARR.
+			compFilters=()
+			declare -a compFilters=("${colorDesc}" "${sharpDesc}" "${hqDesc}" "${tempDesc}" "${remDesc}" "${deshakeDesc}" "${lutDesc}")
+			for v in "${compFilters[@]}"; do if test "$v"; then FILTER_ARR+=("$v"); fi; done
+		else
+			V_FILTERS_PROX="-vf ${FINAL_SCALE}"
+		fi
+		
+	#List remaining files to process.
+		remFiles=${@:`echo "$# - ($ARGNUM - 1)" | bc`:$#}
+		remArr=$(echo $remFiles)
+		
+		list=""
+		for item in $remArr; do
+			itemBase=$(basename $item)
+			itemExt=".${itemBase##*.}" #Dot must be in here.
+			if [[ "${itemExt}" == ".${itemBase}" ]]; then itemExt=""; fi #This means the input is a folder, which has no extension.
+			itemDir=$(dirname "$item")
+			
+			if [ -z "${list}" ]; then
+				if [[ $itemBase == $(basename $ARG) ]]; then
+					list="${itemDir}/\033[1m\033[32m${itemBase%.*}\033[0m${itemExt}"
+				else
+					list="${itemDir}/\033[1m${itemBase%.*}\033[0m${itemExt}"
+				fi
+			else
+				list="${list}, ${itemDir}/\033[1m${itemBase%.*}\033[0m${itemExt}"
+			fi
+		done
+		
+		if [ $ARGNUM == 1 ]; then
+			echo -e "\n\033[1m${ARGNUM} File Left to Process:\033[0m ${list}\n"
+		else
+			echo -e "\n\033[1m${ARGNUM} Files Left to Process:\033[0m ${list}\n"
+		fi
+
+	#PREPARATION
+
+	#Establish Basic Directory Structure.
+		OUTDIR=$(readlinkF "$OUTDIR")
+		
+		if [ $OUTDIR != $PWD ] && [ $isOutGen == false ]; then
+			mkdir -p $OUTDIR #NO RISKS. WE REMEMBER THE LUT.py. RIP ad-hoc HALD LUT implementation :'( .
+			isOutGen=true
+		fi
+		
+		FILE="${OUTDIR}/${TRUNC_ARG}"
+		TMP="${FILE}/tmp_${TRUNC_ARG}"
+		
+	#DNG argument, reused or not. Also, create FILE and TMP.
+		DEVELOP=true
+		if [[ ( -d $ARG ) && ( ( `basename ${ARG} | cut -c1-3` == "dng" && -f "${ARG}/../settings.txt" ) || ( `basename ${ARG}` == $TRUNC_ARG && -f "${ARG}/settings.txt" ) ) ]]; then #If we're reusing a dng sequence, copy over before we delete the original.
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Moving DNGs from previous run...\n" #Use prespecified DNG sequence.
+			
+			#User may specify either the dng_ or the trunc_arg folder; must account for both.
+			if [[ `folderName ${ARG}` == $TRUNC_ARG && -d "${ARG}/dng_${TRUNC_ARG}" ]]; then #Accounts for the trunc_arg folder.
+				ARG="${ARG}/dng_${TRUNC_ARG}" #Set arg to the dng argument.
+			elif [[ `folderName ${ARG}` == $TRUNC_ARG && `echo "$(basename ${ARG})" | cut -c 1-3` == "dng" ]]; then #Accounts for the dng_ folder.
+				TRUNC_ARG=`echo $TRUNC_ARG | cut -c5-${#TRUNC_ARG}`
+			else
+				echo -e "\033[0;31m\033[1mCannot reuse - DNG folder does not exist! Skipping argument.\033[0m"
+				continue
+			fi
+			
+			DNG_LOC=${OUTDIR}/tmp_reused
+			mkdir -p ${OUTDIR}/tmp_reused
+			
+			find $ARG -iname "*.dng" | xargs -I {} mv {} $DNG_LOC #Copying DNGs to temporary location.
+			
+			dngSet "$DNG_LOC"
+			FPS=`cat ${ARG}/../settings.txt | grep "FPS" | cut -d $" " -f2` #Grab FPS from previous run.
+			FRAMES=`cat ${ARG}/../settings.txt | grep "Frames" | cut -d $" " -f2` #Grab FRAMES from previous run.
+			KELVIN=`cat ${ARG}/../settings.txt | grep "WBKelvin" | cut -d $" " -f2`
+			cp "${ARG}/../settings.txt" $DNG_LOC
+			
+			oldARG="${ARG}"
+			DIRNAME=$(dirname "$oldARG")
+			BASE="$(basename "$oldARG")"
+			EXT=""
+			
+			FILE="${OUTDIR}/${TRUNC_ARG}"
+			TMP="${FILE}/tmp_${TRUNC_ARG}" #Remove dng_ from ARG by redefining basic constants. Ready to go!
+			ARG="${FILE}/dng_${TRUNC_ARG}" #Careful. This won't exist till later.
+			
+			
+			dngLocClean() {
+				find $DNG_LOC -iname "*.dng" | xargs -I {} mv {} $oldARG
+				rm -rf $DNG_LOC
+			}
+			
+			mkdirS $FILE dngLocClean
+			mkdirS $TMP #Make the folders.
+			
+			find $DNG_LOC -iname "*.dng" | xargs -I {} mv {} $TMP #Moving files to where they need to go.
+			cp "${DNG_LOC}/settings.txt" $FILE
+					
+			setBL=false
+			DEVELOP=false
+			rm -r $DNG_LOC
+		elif [ -d $ARG ]; then #If it's a DNG sequence, but not a reused one.
+			mkdirS $FILE
+			mkdirS $TMP
+			
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Using specified folder of RAW sequences...\n" #Use prespecified DNG sequence.
+			
+			FPS=24 #Set it to a safe default.
+			FRAMES=$(find ${ARG} -name "*.dng" | wc -l)
+			
+			setRange
+			
+			i=1
+			for dng in $ARG/*.dng; do
+				ln -s $dng $(printf "${TMP}/${TRUNC_ARG}_%06d.dng" $i) #Since we're not touching the DNGs, we can link them from wherever to TMP!!! :) Super duper fast.
+				let i++
+				if [[ i -gt $FRAME_END ]]; then break; fi
+			done
+			
+			dngSet
+			
+			DEVELOP=false #We're not developing DNG's; we already have them!
+		else
+			mkdirS $FILE
+			mkdirS $TMP
+		fi
+		
+	#Darkframe Averaging
+		if [[ $useDF == true ]]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Creating darkframe for subtraction...\n"
+			
+			avgFrame="${TMP}/avg.darkframe" #The path to the averaged darkframe file.
+			
+			#~ There was a bug - retest this.
+			darkBase="$(basename "$DARKFRAME")"
+			darkExt="${darkBase##*.}"
+			
+			if [ $darkExt != 'darkframe' ]; then
+				$MLV_DUMP -o "${avgFrame}" -a $DARKFRAME >/dev/null 2>/dev/null
+			else
+				cp $DARKFRAME $avgFrame #Copy the preaveraged frame if the extension is .darkframe.
+			fi
+			
+			RES_DARK=`echo "$(${MLV_DUMP} -v -m ${avgFrame})" | grep "Res" | sed 's/[[:alpha:] ]*:  //'`
+			
+			DARK_PROC="-s ${avgFrame}"
+		fi
+
+	#Develop sequence if needed.
+		if [ $DEVELOP == true ]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Dumping to DNG Sequence...\n"
+					
+			if [ ! $DARKFRAME == "" ] && [ ! $CHROMA_SMOOTH == "--no-cs" ]; then #Just to let the user know that certain features are impossible with RAW.
+				rawStat="*Skipping Darkframe subtraction and Chroma Smoothing for RAW file ${TRUNC_ARG}."
+			elif [ ! $DARKFRAME == "" ]; then
+				rawStat="*Skipping Darkframe subtraction for RAW file ${TRUNC_ARG}."
+			elif [ ! $CHROMA_SMOOTH == "--no-cs" ]; then
+				rawStat="*Skipping Chroma Smoothing for RAW file ${TRUNC_ARG}."
+			else
+				rawStat="\c"
+			fi
+			
+			#IF extension is RAW, we want to convert to MLV. All the interesting features are MLV-only, because of mlv_dump's amazingness.
+			
+			if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
+				# Read the header.
+				mlvSet
+				setRange
+				
+				# Error checking: Darkframe resolution must match resolution.
+				if [[ (! -z $RES_DARK) && $RES_DARK != $RES_IN ]]; then
+					invOption "Darkframe Resolution doesn't match MLV Resolution! Use another darkframe!"
+				fi
+				
+				#Dual ISO might want to do the chroma smoothing. In which case, don't do it now!
+				if [ $DUAL_ISO == true ]; then
+					smooth="--no-cs"
+				else
+					smooth=$CHROMA_SMOOTH
+				fi
+				
+				#Create new MLV with adequate number of frames, if needed.
+				REAL_MLV=$ARG
+				REAL_FRAMES=$FRAMES
+				if [ $isFR == false ]; then
+					REAL_MLV="${TMP}/newer.mlv"
+					$MLV_DUMP $ARG -o ${REAL_MLV} -f ${FRAME_RANGE} >/dev/null 2>/dev/null
+					REAL_FRAMES=`${MLV_DUMP} ${REAL_MLV} | awk '/Processed/ { print $2; }'`
+				fi
+				
+				fileRanges=(`echo $($SRANGE $REAL_FRAMES $THREADS)`) #Get an array of frame ranges from the amount of frames and threads. I used a python script for this.
+				#Looks like this: 0-1 2-2 3-4 5-5 6-7 8-8 9-10. Put that in an array.
+
+				devDNG() { #Takes n arguments: 1{}, the frame range 2$MLV_DUMP 3$REAL_MLV 4$DARK_PROC 5$no_data 6$smooth 7$TMP 8$FRAME_END 9$TRUNC_ARG 10$FRAME_START
+					range=$1
+					firstFrame=false
+					if [[ $range == "0-0" ]]; then #mlv_dump can't handle 0-0, so we develop 0-1.
+						range="0-1"
+						firstFrame=true
+					fi
+					
+					tmpOut=${7}/${range} #Each output will number from 0, so give each its own folder.
+					mkdir -p $tmpOut
+					
+					start=$(echo "$range" | cut -d'-' -f1)
+					end=$(echo "$range" | cut -d'-' -f2) #Get start and end frames from the frame range
+					
+					$2 $3 $4 -o "${tmpOut}/${9}_" -f ${range} $6 --dng --batch | { #mlv_dump command. Uses frame range.
+						lastCur=0
+						while IFS= read -r line; do
+							output=$(echo $line | grep -Po 'V.*A' | cut -d':' -f2 | cut -d$' ' -f1) #Hacked my way to the important bit.
+							if [[ $output == "" ]]; then continue; fi #If there's no important bit, don't print.
+							
+							cur=$(echo "$output" | cut -d'/' -f1) #Current frame.
+							if [[ $cur == $lastCur ]] || [[ $cur -gt $end ]] || [[ $cur -lt $start ]]; then continue; fi #Turns out, it goes through all the frames, even if cutting the frame range. So, clamp it!
+							
+							lastCur=$cur #It likes to repeat itself.
+							echo -e "\033[2K\rMLV to DNG: Frame $(echo "${cur} + ${10}" | bc)/${8}\c" #Print out beautiful progress bar, in parallel!
+						done
+						
+					} #Progress Bar
+					if [[ $firstFrame == true ]]; then #If 0-0.
+						rm $(printf "${tmpOut}/${9}_%06d.dng" 1) 2>/dev/null #Remove frame #1, leaving us only with frame #0.
+						mv $tmpOut "${7}/0-0" #Move back to 0-0, as if that's how it was developed all along.
+					fi
+				}
+				
+				export -f devDNG #Export to run in subshell.
+				
+				for range in "${fileRanges[@]}"; do echo $range; done | #For each frame range, assign a thread.
+					xargs -I {} -P $THREADS -n 1 \
+						bash -c "devDNG '{}' '$MLV_DUMP' '$REAL_MLV' '$DARK_PROC' 'no_data' '$smooth' '$TMP' '$FRAME_END' '$TRUNC_ARG' '$FRAME_START'"
+				
+				#Since devDNG must run in a subshell, globals don't follow. Must pass *everything* in.
+				echo -e "\033[2K\rMLV to DNG: Frame ${FRAME_END}/${FRAME_END}\c" #Ensure it looks right at the end.
+				echo -e "\n"
+				
+				count=$FRAME_START
+				for range in "${fileRanges[@]}"; do #Go through the subfolders sequentially
+					tmpOut=${TMP}/${range} #Use temporary folder. It will be named the same as the frame range.
+					for dng in ${tmpOut}/*.dng; do
+						if [ $count -gt $FRAME_END ]; then echo "ERROR! Count greater than end!"; fi
+						mv $dng $(printf "${TMP}/${TRUNC_ARG}_%06d.dng" $count) #Move dngs out sequentially, numbering them properly.
+						let count++
+					done
+					rm -r $tmpOut #Remove the now empty subfolder
+				done
+				
+			elif [ $EXT == "RAW" ] || [ $EXT == "raw" ]; then
+				rawSet
+				setRange
+				
+				echo -e $rawStat
+				FPS=`$RAW_DUMP $ARG "${TMP}/${TRUNC_ARG}_" | awk '/FPS/ { print $3; }'` #Run the dump while awking for the FPS.
+			fi
+					
+			#~ BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng)
+		fi
+		
+		setRange #Just to be sure the frame range was set, in case the input isn't MLV.
+		
+		BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng) #Use the first DNG to get the correct black level.
+		
+		prntSet > $FILE/settings.txt
+		sed -i -r "s/\x1B\[([0-9]{1,2}(;[0-9]{1,2})?)?[m|K]//g" $FILE/settings.txt #Strip escape sequences.
+		
+	#Create badpixels file.
+		if [ $isBP == true ] && [ $DEVELOP == true ]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Generating badpixels file...\n"
+			
+			bad_name="badpixels_${TRUNC_ARG}.txt"
+			gen_bad="${TMP}/${bad_name}"
+			touch $gen_bad
+			
+			if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
+				$MLV_BP -o $gen_bad $ARG
+			elif [ $EXT == "RAW" ] || [ $EXT == "raw" ]; then
+				$MLV_BP -o $gen_bad $ARG
+			fi
+			
+			if [[ ! -z $BADPIXEL_PATH ]]; then
+				if [ -f "${gen_bad}" ]; then
+					echo -e "\033[1m${TRUNC_ARG}:\033[0m Concatenating with specified badpixels file...\n"
+					mv "${gen_bad}" "${TMP}/bp_gen"
+					cp $BADPIXEL_PATH "${TMP}/bp_imp"
+					
+					{ cat "${TMP}/bp_gen" && cat "${TMP}/bp_imp"; } > "${gen_bad}" #Combine specified file with the generated file.
+				else
+					cp $BADPIXEL_PATH "${gen_bad}"
+				fi
+			fi
+			
+			BADPIXELS="-P ${gen_bad}"
+		elif [[ ! -z $BADPIXEL_PATH ]]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Using specified badpixels file...\n"
+			
+			bad_name="badpixels_${TRUNC_ARG}.txt"
+			gen_bad="${TMP}/${bad_name}"
+			
+			cp $BADPIXEL_PATH "${gen_bad}"
+			BADPIXELS="-P ${gen_bad}"
+		fi
+
+	#Dual ISO Conversion
+		if [ $DUAL_ISO == true ]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Combining Dual ISO...\n"
+			
+			#Original DNGs will be moved here.
+			oldFiles="${TMP}/orig_dng"
+			mkdirS $oldFiles
+			
+			inc_iso() { #6 args: 1{} 2$CR_HDR 3$TMP 4$FRAME_END 5$oldFiles 6$CHROMA_SMOOTH. {} is a path. Progress is thread safe. Experiment gone right :).
+				count=$(echo "$(echo $(echo $1 | rev | cut -d "_" -f 1 | rev | cut -d "." -f 1 | grep "[0-9]") | bc) + 1" | bc) #Get count from filename.
+				
+				$2 $1 $6 >/dev/null 2>/dev/null #The LQ option, --mean23, is completely unusable in my opinion.
+				
+				name=$(basename "$1")
+				mv "${3}/${name%.*}.dng" $5 #Move away original dngs.
+				mv "${3}/${name%.*}.DNG" "${3}/${name%.*}.dng" #Rename *.DNG to *.dng.
+				
+				echo -e "\033[2K\rDual ISO Development: Frame ${count}/${4}\c"
+			}
+			
+			export -f inc_iso #Must expose function to subprocess.
+			
+			#~ echo "${CR_HDR} ${TMP}/${TRUNC_ARG}_$(printf "%06d" $FRAME_START).dng"
+			if [[ $(${CR_HDR} "${TMP}/${TRUNC_ARG}_$(printf "%06d" $FRAME_START).dng") == *"ISO blending didn't work"* ]]; then
+				invOption "The input wasn't shot Dual ISO!"
+			fi
+			
+			find $TMP -maxdepth 1 -name "*.dng" -print0 | sort -z | xargs -0 -I {} -P $THREADS -n 1 \
+				bash -c "inc_iso '{}' '$CR_HDR' '$TMP' '$FRAME_END' '$oldFiles' '$CHROMA_SMOOTH'"
+					
+			BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng) #Use the first DNG to get the new correct black level.
+
+			echo -e "\n"
+		fi
+		
+		if [ $setBL == true ]; then
+			echo -e "BlackLevel: ${BLACK_LEVEL}" >> $FILE/settings.txt #Black level must now be set.
+		fi
+		
+		normToOne() {
+			wBal=$1
+			
+			max=0.0
+			for mult in $wBal; do
+				if [ $(echo " $mult > $max" | bc) -eq 1 ]; then
+					max=$mult
+				fi
+			done
+			
+			for mult in $wBal; do
+				echo -e "$(echo "scale=6; x=${mult} / ${max}; if(x<1) print 0; x" | bc -l) \c" #BC is bae.
+			done
+		}
+		
+		getGreen() {
+			wBal=$1
+			
+			i=0
+			for mult in $wBal; do
+				if [ $i -eq 1 ]; then
+					echo -e "${mult}"
+				fi
+				let i++
+			done
+		}
+		
+	#Get White Balance correction factor.
+		if [ $GEN_WHITE == true ]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Generating WB...\n"
+			
+			#Calculate n, the distance between samples.
+			frameLen=$(echo "$FRAME_END - $FRAME_START + 1" | bc) #Offset by one to avoid division by 0 errors later. min value must be 1.
+			
+			#A point of improvement, this.
+			if [[ $WHITE_SPD -gt $frameLen ]]; then
+				WHITE_SPD=$frameLen
+			fi
+			n=`echo "${frameLen} / ${WHITE_SPD}" | bc`
+			
+			toBal="${TMP}/toBal"
+			mkdirS $toBal
+			
+			#Develop every nth file for averaging.
+			local i=0
+			local t=0
+			for file in $TMP/*.dng; do 
+				if [ `echo "(${i}+1) % ${n}" | bc` -eq 0 ]; then
+					$DCRAW -q 0 $BADPIXELS -r 1 1 1 1 -g $GAMMA -k $BLACK_LEVEL $SATPOINT -o 0 -T "${file}"
+					name=$(basename "$file")
+					mv "$TMP/${name%.*}.tiff" $toBal #TIFF MOVEMENT. We use TIFFs here because it's easy for dcraw and Python.
+					let t++
+				fi
+				echo -e "\033[2K\rWB Development: Sample ${t}/$(echo "${frameLen} / $n" | bc) (Frame: $(echo "${i} + 1" | bc)/${FRAME_END})\c"
+				let i++
+			done
+			echo ""
+			
+			#Calculate + store result into a form dcraw likes.
+			echo -e "Calculating Auto White Balance..."
+			BALANCE=`$BAL $toBal`
+			
+		elif [ $CAMERA_WB == true ]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Retrieving Camera White Balance..."
+			
+			for file in $TMP/*.dng; do
+				#dcraw a single file verbosely, to get the camera multiplier with awk.
+				BALANCE=`$DCRAW -T -w -v -c ${file} 2>&1 | awk '/multipliers/ { print $2, $3, $4 }'`
+				break
+			done
+
+		else #Something must always be set.
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Ignoring White Balance..."
+			
+			BALANCE="1.000000 1.000000 1.000000"
+		fi
+		
+		#Finally, set the white balance after determining it.
+		if [ $isScale = false ]; then
+			BALANCE=$(normToOne "$BALANCE")
+		fi
+		green=$(getGreen "$BALANCE")
+		WHITE="-r ${BALANCE} ${green}"
+		echo -e "Correction Factor (RGBG): ${BALANCE} ${green}\n"
+
+	#Move .wav.
+		SOUND_PATH="${TMP}/${TRUNC_ARG}_.wav"
+		
+		if [ ! -f $SOUND_PATH ]; then
+			echo -e "*Not moving .wav, because it doesn't exist.\n"
+		else
+			echo -e "*Moving .wav.\n"
+			cp $SOUND_PATH $FILE
+		fi
+		
+	#DEFINE PROCESSING FUNCTIONS
+		dcrawOpt() { #Find, develop, and splay raw DNG data as ppm, ready to be processed.
+			find "${TMP}" -maxdepth 1 -iname "*.dng" -print0 | sort -z | tr -d "\n" | xargs -0 \
+				$DCRAW -c -q $DEMO_MODE $FOUR_COLOR -k $BLACK_LEVEL $SATPOINT $BADPIXELS $WHITE -H $HIGHLIGHT_MODE -g $GAMMA $WAVE_NOISE -o $SPACE $DEPTH
+		} #Is prepared to pipe all the files in TMP outwards.
+		
+		dcrawImg() { #Find and splay image sequence data as ppm, ready to be processed by ffmpeg. Not working well.
+			find "${SEQ}" -maxdepth 1 -iname "*.${IMG_FMT}" -print0 | sort -z | xargs -0 -I {} convert '{}' -set colorspace sRGB -colorspace RGB ppm:-
+		} #Finds all images, prints to stdout, without any operations, using convert. ppm conversion is inevitably slow, however...
+		
+		mov_main() {
+			ffmpeg -f image2pipe -vcodec ppm -r $FPS -i pipe:0 \
+				-loglevel panic -stats $SOUND -vcodec prores_ks -pix_fmt rgb48be -n -r $FPS -profile:v 4444 -alpha_bits 0 -vendor ap4h $V_FILTERS $SOUND_ACTION "${VID}_hq.mov"
+		} #-loglevel panic -stats
+		
+		mov_prox() {
+			ffmpeg -f image2pipe -vcodec ppm -r $FPS -i pipe:0 \
+				-loglevel panic -stats $SOUND -c:v libx264 -n -r $FPS -preset fast $V_FILTERS_PROX -crf 23 -c:a mp3 "${VID}_lq.mp4"
+		} #The option -vf "scale=trunc(iw/2)*2:trunc(ih/2)*2" fixes when x264 is unhappy about non-2 divisible dimensions.
+		
+		mov_main_img() {
+			ffmpeg -start_number $FRAME_START -loglevel panic -stats -f image2 -i ${SEQ}/${TRUNC_ARG}_%06d.${IMG_FMT} $SOUND -vcodec prores_ks \
+				-pix_fmt rgb48le -n -r $FPS -profile:v 4444 -alpha_bits 0 -vendor ap4h $V_FILTERS $SOUND_ACTION "${VID}_hq.mov"
+		}
+		
+		mov_prox_img() {
+			ffmpeg -start_number $FRAME_START -loglevel panic -stats -f image2 -i ${SEQ}/${TRUNC_ARG}_%06d.${IMG_FMT} $V_FILTERS_PROX $SOUND -c:v libx264 \
+				-n -r $FPS -preset veryfast -crf 21 -c:a mp3 -b:a 320k "${VID}_lq.mp4"
+		}
+		
+		
+		runSim() {
+			# Command: cat $PIPE | cmd1 & cmdOrig | tee $PIPE | cmd2
+			
+			# cat $PIPE | cmd1 - gives output of pipe live. Pipes it into cmd1. Nothing yet; just setup.
+			# & - runs the next part in the background.
+			# cmdOrig | tee $PIPE | cmd2 - cmdOrig pipes into the tee, which splits it back into the previous pipe, piping on to cmd2!
+			
+			# End Result: Output of cmdOrig is piped into cmd1 and cmd2, which execute, both printing to stdout.
+			
+			cmdOrig=$1
+			cmd1=$2
+			cmd2=$3
+			
+			#~ echo $cmdOrig $cmd1 $cmd2
+			#~ echo $($cmdOrig)
+			
+			PIPE="${TMP}/pipe_vid" # $(date +%s%N | cut -b1-13)"
+			mkfifo $PIPE 2>/dev/null
+			
+			cat $PIPE | $cmd1 & $cmdOrig | tee $PIPE | $cmd2 #The magic of simultaneous execution ^_^
+			#~ cat $PIPE | tr 'e' 'a' & echo 'hello' | tee $PIPE | tr 'e' 'o' #The magic of simultaneous execution ^_^
+		}
+		
+		img_par() { #Takes 22 arguments: {} 2$DEMO_MODE 3$FOUR_COLOR 4$BADPIXELS 5$WHITE 6$HIGHLIGHT_MODE 7$GAMMA 8$WAVE_NOISE 9$DEPTH 10$SEQ 11$TRUNC_ARG 12$IMG_FMT 13$FRAME_END 14$DEPTH_OUT 15$COMPRESS 16$isJPG 17$PROXY_SCALE 18$PROXY 19$BLACK_LEVEL 20$SPACE 21$SATPOINT 22$DCRAW 23$FFMPEG_FILTERS
+			count=$(echo $(echo $1 | rev | cut -d "_" -f 1 | rev | cut -d "." -f 1 | grep "[0-9]") | bc) #Instead of count from file, count from name!
+			DCRAW=${22}
+			
+			DPXHACK=""
+			if [[ ${12^^} == "DPX" && ( ${23} == false ) ]]; then DPXHACK="-colorspace sRGB"; else DPXHACK=""; fi
+			#Trust me, I've tried everything else; but this sRGB transform works. Must be an IM bug. Keep an eye on it!
+			#The sRGB curve is only applied if going to DPX while DPX is the target image format. Aka. At the end; not in the middle.
+				
+			if [ ${16} == true ]; then
+				$DCRAW -c -q $2 $3 $4 $5 -H $6 -k ${19} ${21} -g $7 $8 -o ${20} $9 $1 | \
+					tee >(convert ${14} - -set colorspace RGB ${DPXHACK} ${15} $(printf "${10}/${11}_%06d.${12}" ${count})) | \
+						convert - -set colorspace XYZ -quality 80 -colorspace sRGB -resize ${17} $(printf "${18}/${11}_%06d.jpg" ${count})
+						#JPGs don't get ffmpeg filters applied. They simply can't handle it.
+				echo -e "\033[2K\rDNG to ${12^^}/JPG: Frame ${count^^}/${13}\c"
+			else
+				$DCRAW -c -q $2 $3 $4 $5 -H $6 -k ${19} ${21} -g $7 $8 -o ${20} $9 $1 | \
+					convert ${14} - -set colorspace RGB ${DPXHACK} ${15} $(printf "${10}/${11}_%06d.${12}" ${count})
+				echo -e "\033[2K\rDNG to ${12^^}: Frame ${count^^}/${13}\c"
+			fi
+		}
+	#~ See http://www.imagemagick.org/discourse-server/viewtopic.php?t=21161
+		
+		export -f img_par
+		
+		
+	#PROCESSING
+
+	#IMAGE PROCESSING
+		if [ $IMAGES == true ] ; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Processing Image Sequence from Frame ${FRAME_START} to ${FRAME_END}...\n"
+			
+	#Define Image Directories, Create SEQ directory
+			SEQ="${FILE}/${IMG_FMT}_${TRUNC_ARG}"
+			PROXY="${FILE}/proxy_${TRUNC_ARG}"
+			
+			mkdirS $SEQ
+			
+			if [ $isJPG == true ]; then
+				mkdirS $PROXY
+			fi
+			
+	#Define hardcoded compression based on IMG_FMT
+			if [ $isCOMPRESS == true ]; then
+				if [ $IMG_FMT == "exr" ]; then
+					COMPRESS="-compress piz"
+				elif [ $IMG_FMT == "tiff" ]; then
+					COMPRESS="-compress zip"
+				elif [ $IMG_FMT == "png" ]; then
+					COMPRESS="-quality 0"
+				elif [ $IMG_FMT == "dpx" ]; then
+					COMPRESS="-compress rle"
+				fi
+			fi
+
+	#Convert all the actual DNGs to IMG_FMT, in parallel.
+			find "${TMP}" -maxdepth 1 -name '*.dng' -print0 | sort -z | xargs -0 -I {} -P $THREADS -n 1 \
+				bash -c "img_par '{}' '$DEMO_MODE' '$FOUR_COLOR' '$BADPIXELS' '$WHITE' '$HIGHLIGHT_MODE' '$GAMMA' '$WAVE_NOISE' '$DEPTH' \
+				'$SEQ' '$TRUNC_ARG' '$IMG_FMT' '$FRAME_END' '$DEPTH_OUT' '$COMPRESS' '$isJPG' '$PROXY_SCALE' '$PROXY' '$BLACK_LEVEL' '$SPACE' '$SATPOINT' '$DCRAW' '$FFMPEG_FILTERS'"
+			
+			# Removed  | cut -d '' -f $FRAME_RANGE , as this happens when creating the DNGs in the first place.
+
+			if [ $isJPG == true ]; then #Make it print "Frame $FRAMES / $FRAMES" as the last output :).
+				echo -e "\033[2K\rDNG to ${IMG_FMT^^}/JPG: Frame ${FRAME_END}/${FRAME_END}\c"
+			else
+				echo -e "\033[2K\rDNG to ${IMG_FMT^^}: Frame ${FRAME_END}/${FRAME_END}\c"
+			fi
+			
+			echo -e "\n"
+			
+			tConvert() { #Arguments: 1$inFolder 2$outFolder 3$fromFMT 4$toFMT
+				inFolder=$1
+				outFolder=$2
+				fromFMT=$3
+				toFMT=$4
+				iccProf=$5
+				
+				if [[ ! -z $iccProf ]]; then iccProf="+profile icm -profile $iccProf"; fi
+				
+				conv_par() { # Arguments: 1${} 2$TRUNC_ARG 3$outFolder 4$fromFMT 5$iccProf 6$toFMT 7$DEPTH_OUT 8$compress 9$FRAME_END 10$IMG_FMT
+					count=$(echo $(echo $1 | rev | cut -d "_" -f 1 | rev | cut -d "." -f 1 | grep "[0-9]") | bc) #Get count from filename.
+					
+					echo -e "\033[2K\rMiddle-step: ${4^^} to ${6^^}, Frame ${count^^}/${9}\c"
+					
+					DPXHACK=""
+					if [[ ${6^^} == "DPX" && ${10^^} == ${6^^} ]]; then DPXHACK="-colorspace sRGB"; else DPXHACK=""; fi
+					#Trust me, I've tried everything else; but this sRGB transform works. Must be an IM bug. Keep an eye on it!
+					#The sRGB curve is only applied if going to DPX while DPX is the target image format. Aka. At the end; not in the middle.
+					
+					convert ${7} ${1} ${5} $8 -set colorspace RGB ${DPXHACK} "${3}/$(printf "${2}_%06d" ${count}).${6}"
+				}
+				
+				export -f conv_par
+				
+				compress=""
+				if [[ ${IMG_FMT^^} == ${toFMT^^} ]]; then compress=${COMPRESS}; fi
+				
+				find $inFolder -iname "*.${fromFMT}" -print0 | sort -z | xargs -0 -I {} -P $THREADS -n 1 \
+					bash -c "conv_par '{}' '$TRUNC_ARG' '$outFolder' '$fromFMT' '$iccProf' '$toFMT' '$DEPTH_OUT' '$compress' '$FRAME_END' '$IMG_FMT'"
+				
+				echo ""
+			}
+			
+	#FFMPEG Filter Application: Temporal Denoising, 3D LUTs, Deshake, hqdn Denoising, removegrain denoising, unsharp so far.
+	#See construction of $V_FILTERS in PREPARATION.
+			if [[ $FFMPEG_FILTERS == true ]]; then
+				tmpFiltered="${TMP}/filtered"
+				tmpUnfiltered="${TMP}/unfiltered"
+				mkdir $tmpFiltered
+				mkdir $tmpUnfiltered
+				
+				#Give correct output.
+				echo -e "\033[1mApplying Filters:\033[0m $(joinArgs ", " "${FILTER_ARR[@]}")...\n"
+				
+				applyFilters() { #Ideally, this would be all we need. But alas, ffmpeg + exr is broken.
+					IO=$1
+					FMT=$2
+					
+					if [[ -z $FMT ]]; then FMT="${IMG_FMT}"; fi
+					
+					ffmpeg -start_number $FRAME_START -f image2 -i "${IO}/${TRUNC_ARG}_%06d.${FMT}" -loglevel panic -stats $V_FILTERS \
+						-pix_fmt rgb48be -start_number $FRAME_START "${tmpFiltered}/${TRUNC_ARG}_%06d.${FMT}"
+					
+					tConvert "$tmpFiltered" "$IO" "$FMT" "$FMT" # "/home/sofus/subhome/src/convmlv/color/lin_xyz--srgb_srgb.icc" - profile application didn't work...
+				}
+				
+				if [[ $IMG_FMT == "exr" ]]; then
+					echo -e "Note: EXR filtering lags due to middle-step conversion (ffmpeg has no EXR encoder).\n"
+					
+					img_res=$(identify ${SEQ}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).${IMG_FMT} | cut -d$' ' -f3)
+					
+					tConvert "$SEQ" "$tmpUnfiltered" "$IMG_FMT" "dpx"
+					
+					ffmpeg -start_number $FRAME_START -f image2 -vcodec dpx -s "${img_res}" -r $FPS -loglevel panic -stats -i "${tmpUnfiltered}/${TRUNC_ARG}_%06d.dpx" \
+						$V_FILTERS -pix_fmt rgb48be -vcodec dpx -n -r $FPS -start_number $FRAME_START ${tmpFiltered}/${TRUNC_ARG}_%06d.dpx
+						
+					tConvert "$tmpFiltered" "$SEQ" "dpx" "$IMG_FMT"
+				else
+					applyFilters "$SEQ"
+				fi
+							
+				echo ""
+			fi
+		fi
+			
+	#MOVIE PROCESSING
+		VID="${FILE}/${TRUNC_ARG}"
+		
+		SOUND="-i ${TMP}/${TRUNC_ARG}_.wav"
+		SOUND_ACTION="-c:a mp3 -b:a 320k"
+		if [ ! -f $SOUND_PATH ]; then
+			SOUND=""
+			SOUND_ACTION=""
+		fi
+			
+		if [[ $MOVIE == true && $IMAGES == false && $isH264 == true ]]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to ProRes/H.264..."
+			runSim dcrawOpt mov_main mov_prox
+			echo ""
+		elif [[ $MOVIE == true && $IMAGES == false && $isH264 == false ]]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to ProRes..."
+			dcrawOpt | mov_main
+			echo ""
+		elif [[ $MOVIE == false && $IMAGES == false && $isH264 == true ]]; then
+			echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to H.264..."
+			dcrawOpt | mov_prox
+			echo ""
+		elif [[ $IMAGES == true ]]; then
+			V_FILTERS="" #Only needed if reading from images.
+			V_FILTERS_PROX="-vf $FINAL_SCALE"
+			
+			if [[ $IMG_FMT == "dpx" ]]; then
+				V_FILTERS="-vf lut3d=${COLOR_LUTS[0]}/srgb--lin.cube"
+				V_FILTERS_PROX="-vf lut3d=${COLOR_LUTS[0]}/srgb--lin.cube,$FINAL_SCALE" #We apply a sRGB to Linear 1D LUT if reading DPX. Because it's fucking broken.
+			fi
+			
+			#Use images if available, as opposed to developing the files again.
+			if [[ $MOVIE == true && $isH264 == true ]]; then
+				echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to ProRes/H.264..."
+				mov_main_img &
+				mov_prox_img &
+				wait
+				
+				echo ""
+			elif [[ $MOVIE == true && $isH264 == false ]]; then
+				echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to ProRes..."
+				mov_main_img
+				echo ""	
+			elif [[ $MOVIE == false && $isH264 == true ]]; then
+				echo -e "\033[1m${TRUNC_ARG}:\033[0m Encoding to H.264..."
+				mov_prox_img
+				echo ""
+			fi
+		fi
+		
+	#Potentially move DNGs.
+		if [ $KEEP_DNGS == true ]; then
+			echo -e "\033[1mMoving DNGs...\033[0m"
+			DNG="${FILE}/dng_${TRUNC_ARG}"
+			mkdirS $DNG
+			
+			if [ $DUAL_ISO == true ]; then
+				oldFiles="${TMP}/orig_dng"
+				find $oldFiles -name "*.dng" | xargs -I '{}' mv {} $DNG #Preserve the original, unprocessed DNGs.
+			else
+				find $TMP -name "*.dng" | xargs -I '{}' mv {} $DNG
+			fi
+		fi
+		
+		echo -e "\n\033[1mCleaning Up.\033[0m\n\n"
+		
+	#Delete tmp
+		rm -rf $TMP
+		
+	#RESET ARGS & REPARSE OPTIONS - same as in convmlv.sh.
+		#Big parse/reparse, making sure global, local, command line options all override each other correctly.
+		set -- $INPUT_ARGS #Reset the argument input for reparsing.
+		setDefaults #Hard set/reset all the lovely globals.
+		OPTIND=1 #Reset argument parsing.
+		
+		parseConf "$GCONFIG" false #Parse global config file.
+
+		parseArgs "$@" #First, parse all cli args. We only need the -C flag, but that forces us to just parse everything.
+		shift $((OPTIND-1)) #Shift past all of the options to the file arguments.
+
+		parseConf "$LCONFIG" false #Parse local config file.
+		set -- $INPUT_ARGS #Reset $@ for cli option reparsing.
+		OPTIND=1 #To reset argument parsing, we must set OPTIND to 1.
+
+		parseArgs "$@" #Reparse cli to overwrite local config options.
+		shift $((OPTIND-1)) #Shift past all of the options to the file arguments.
+		OPTIND=1 #Reset argument index.
+		
+		let ARGNUM--
+	done
+}

src/core/parsing.sh

@@ -0,0 +1,757 @@
+
+parseConf() {
+	file=$1 #The File to Parse
+	argOnly=$2 #If true, will only use file-specific blocks. If false, will ignore file-specific blocks.
+	CONFIG_NAME="None"
+	
+	if [[ -z $file ]]; then return; fi
+    if [[ ! -f $file ]]; then return; fi
+	
+	local fBlock=false #Whether or not we are in a file-specific block.
+	local fID="" #The name of the file-specific block we're in.
+	
+	while IFS="" read -r line || [[ -n "$line" ]]; do
+		line=$(echo "$line" | sed -e 's/^[ \t]*//') #Strip leading tabs/whitespaces.
+		
+		if [[ `echo "${line}" | cut -c1-1` == "#" ]]; then continue; fi #Ignore comments
+		
+		if [[ `echo "${line}" | cut -c1-1` == "/" ]]; then
+			if [[ $fBlock == true ]]; then invOption "ERROR: Nested file-specific blocks in config file $CONFIG_NAME!"; fi
+			
+			fBlock=true
+			fID=`echo "${line}" | cut -d$' ' -f2`
+			
+			continue
+		fi #Enter a file-specific block with /, provided the argument name is correct.
+		
+		if [[ `echo "${line}" | cut -c1-1` == "*" ]]; then fBlock=false; fID=""; fi #Leave a file-specific block.
+		
+		#~ echo $argOnly $fBlock $fID ${TRUNC_ARG%.*} `echo "${line}" | cut -d$' ' -f1`
+		if [[ ($argOnly == false && $fBlock == false) || ( ($argOnly == true && $fBlock == true) && $fID == ${TRUNC_ARG%.*} ) ]]; then #Conditions under which to write values.
+			case `echo "${line}" | cut -d$' ' -f1` in
+				"CONFIG_NAME") CONFIG_NAME=`echo "${line}" | cut -d$' ' -f2` #Not doing anything with this right now.
+				;;
+				"OUTDIR") OUTDIR=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"BIN_PATH") BIN_PATH=`echo "${line}" | cut -d$' ' -f2`; setPaths
+				;;
+				"DCRAW") DCRAW=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"MLV_DUMP") MLV_DUMP=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"RAW_DUMP") RAW_DUMP=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"MLV_BP") MLV_BP=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"SRANGE") CR_HDR=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"BAL") PYTHON_SRANGE=`echo "${line}" | cut -d$' ' -f2`; setPaths
+				;;
+				"PYTHON") PYTHON=`echo "${line}" | cut -d$' ' -f2`; setPaths
+				;;
+				"THREADS") THREADS=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				
+				
+				"IMAGE") IMAGES=true
+				;;
+				"IMG_FMT")
+					mode=`echo "${line}" | cut -d$' ' -f2`
+					case ${mode} in
+						"0") IMG_FMT="exr"
+						;;
+						"1") IMG_FMT="tiff"
+						;;
+						"2") IMG_FMT="png"
+						;;
+						"3") IMG_FMT="dpx"
+						;;
+						*) invOption "Invalid Image Format Choice: ${mode}"
+						;;
+					esac
+					;;
+				"MOVIE") MOVIE=true
+				;;
+				"PROXY") 
+					PROXY=`echo "${line}" | cut -d$' ' -f2`
+					case ${PROXY} in
+						"0") isJPG=false; isH264=false
+						;;
+						"1") isJPG=false; isH264=true
+						;;
+						"2") isJPG=true; isH264=false
+						;;
+						"3") isJPG=true; isH264=true
+						;;
+						*) invOption "Invalid Proxy Choice: ${PROXY}"
+						;;
+					esac
+				;;
+				"PROXY_SCALE") 
+					PROXY_SCALE=`echo "${line}" | cut -d$' ' -f2`
+					
+					proxy_num=`echo "$PROXY_SCALE" | cut -d'%' -f 1`
+					if [[ ! ( ($proxy_num -le 100 && $proxy_num -ge 5) && $proxy_num =~ ^-?[0-9]+$ ) ]]; then invOption "Invalid Proxy Scale: ${PROXY_SCALE}"; fi
+				;;
+				"KEEP_DNGS") KEEP_DNGS=true
+				;;
+				"FRAME_RANGE") RANGE_BASE=`echo "${line}" | cut -d$' ' -f2`; isFR=false
+				;;
+				"UNCOMP") isCOMPRESS=false
+				;;
+				
+				
+				"DEMO_MODE") DEMO_MODE=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"HIGHLIGHT_MODE") HIGHLIGHT_MODE=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"CHROMA_SMOOTH")
+					mode=`echo "${line}" | cut -d$' ' -f2`
+					case ${mode} in
+						"0") CHROMA_SMOOTH="--no-cs"
+						;;
+						"1") CHROMA_SMOOTH="--cs2x2"
+						;;
+						"2") CHROMA_SMOOTH="--cs3x3"
+						;;
+						"3") CHROMA_SMOOTH="--cs5x5"
+						;;
+						*) invOption "Invalid Chroma Smoothing Choice: ${mode}"
+						;;
+					esac
+				;;
+				"WAVE_NOISE") WAVE_NOISE="-n $(echo "${line}" | cut -d$' ' -f2)"
+				;;
+				"TEMP_NOISE")
+					vals="$(echo "${line}" | cut -d$' ' -f2)"
+					
+					aVal=$(echo "${vals}" | cut -d"-" -f1)
+					bVal=$(echo "${vals}" | cut -d"-" -f2)
+					
+					TEMP_NOISE="atadenoise=0a=${aVal}:0b=${bVal}:1a=${aVal}:1b=${bVal}:2a=${aVal}:2b=${bVal}"
+					tempDesc="Temporal Denoiser"
+					FFMPEG_FILTERS=true
+				;;
+				"HQ_NOISE")
+					vals="$(echo "${line}" | cut -d$' ' -f2)"
+					
+					S=`echo "${vals}" | cut -d$':' -f1`
+					T=`echo "${vals}" | cut -d$':' -f2`
+					
+					LS=`echo "${S}" | cut -d$'-' -f1`
+					CS=`echo "${S}" | cut -d$'-' -f2`
+					LT=`echo "${T}" | cut -d$'-' -f1`
+					CT=`echo "${T}" | cut -d$'-' -f2`
+					
+					HQ_NOISE="hqdn3d=luma_spatial=${LS}:chroma_spatial=${CS}:luma_tmp=${LT}:chroma_tmp=${CT}"
+					hqDesc="3D Denoiser"
+					FFMPEG_FILTERS=true
+				;;
+				"REM_NOISE")
+					vals="$(echo "${line}" | cut -d$' ' -f2)"
+					
+					m1=`echo "${vals}" | cut -d$'-' -f1`
+					m2=`echo "${vals}" | cut -d$'-' -f2`
+					m3=`echo "${vals}" | cut -d$'-' -f3`
+					m4=`echo "${vals}" | cut -d$'-' -f4`
+					
+					REM_NOISE="removegrain=m0=${m1}:m1=${m2}:m2=${m3}:m3=${m4}"
+					remDesc="RemoveGrain Modal Denoiser"
+					FFMPEG_FILTERS=true
+				;;
+				"GAMMA") #Value checking done in color management.
+					mode=`echo "${line}" | cut -d$' ' -f2`
+					
+					case ${mode} in
+						"0")
+							COLOR_GAMMA="STANDARD" #Lets CM know that it should correspond to the gamut, or be 2.2.
+						;;
+						"1")
+							COLOR_GAMMA="lin" #Linear
+						;;
+						"2")
+							COLOR_GAMMA="cineon" #Cineon
+						;;
+						"3")
+							COLOR_GAMMA="clog2" #C-Log2. Req: color-ext.
+						;;
+						"4")
+							COLOR_GAMMA="slog3" #S-Log3. Req: color-ext.
+						;;
+						#~ "5")
+							#~ COLOR_GAMMA="logc" #LogC 4.X . Req: color-ext.
+						#~ ;;
+						#~ "6")
+							#~ COLOR_GAMMA="acescc" #ACEScc Log Gamma. Req: color-aces.
+						#~ ;;
+						*)
+							invOption "g: Invalid Gamma Choice: ${mode}"
+						;;
+					esac
+				;;
+				"GAMUT") #Value checking done in color management.
+					mode=`echo "${line}" | cut -d$' ' -f2`
+					
+					case ${mode} in
+						"0")
+							COLOR_GAMUT="srgb" #sRGB
+						;;
+						"1")
+							COLOR_GAMUT="argb" #Adobe RGB
+						;;
+						"2")
+							COLOR_GAMUT="rec709" #Rec.709
+						;;
+						"3")
+							COLOR_GAMUT="xyz" #XYZ. Linear Only.
+						;;
+						#~ "3")
+							#~ COLOR_GAMUT="aces" #ACES. Standard is Linear. Req: color-aces (all gammas will work, even without color-ext)/
+						#~ ;;
+						#~ "4")
+							#~ COLOR_GAMUT="xyz" #ACES. Standard is Linear. Req: color-aces (all gammas will work, even without color-ext)/
+						#~ ;;
+						"4")
+							COLOR_GAMUT="rec2020" #Rec.2020. Req: color-ext.
+						;;
+						"5")
+							COLOR_GAMUT="dcip3" #DCI-P3. Req: color-ext.
+						;;
+						"6")
+							COLOR_GAMUT="ssg3c" #Sony S-Gamut3.cine. Req: color-ext.
+						;;
+						*)
+							invOption "G: Invalid Gamut Choice: ${mode}"
+						;;
+					esac
+				;;
+				"SHALLOW") DEPTH=""; DEPTH_OUT="-depth 8"
+				;;
+				"WHITE")
+					mode=`echo "${line}" | cut -d$' ' -f2`
+					case ${mode} in
+						"0") CAMERA_WB=false; GEN_WHITE=true #Will generate white balance.
+						;;
+						"1") CAMERA_WB=true; GEN_WHITE=false; #Will use camera white balance.
+						;;
+						"2") WHITE="-r 1 1 1 1"; CAMERA_WB=false; GEN_WHITE=false #Will not apply any white balance.
+						;;
+						*)
+							invOption "Invalid White Balance Choice: ${mode}"
+						;;
+					esac
+				;;
+				"SHARP")
+					val=`echo "${line}" | cut -d$' ' -f2`
+					
+					lSize=`echo "${val}" | cut -d$':' -f1`
+					lStr=`echo "${val}" | cut -d$':' -f2`
+					cSize=`echo "${val}" | cut -d$':' -f3`
+					cStr=`echo "${val}" | cut -d$':' -f4`
+					
+					SHARP="unsharp=${lSize}:${lSize}:${lStr}:${cSize}:${cSize}:${cStr}"
+					sharpDesc="Sharpen/Blur"
+					FFMPEG_FILTERS=true
+				;;
+				"LUT")
+					LUT_PATH=`echo "${line}" | cut -d$' ' -f2`
+					
+					if [ ! -f $LUT_PATH ]; then invOption "Invalid LUT Path: ${LUT_PATH}"; fi
+					
+					#Check LUT_SIZE
+					i=0
+					while read line; do
+						sLine=$(echo $line | sed -e 's/^[ \t]*//')
+						if [[ $(echo $sLine | cut -c1-11) == "LUT_3D_SIZE" ]]; then
+							if [[ $(echo $sLine | cut -c13-) -le 64 && $(echo $sLine | cut -c13-) -ge 2 ]]; then
+								break
+							else
+								size=$(echo $sLine | cut -c13-)
+								invOption "$(basename $LUT_PATH): Invalid LUT Size of $size x $size x $size - Must be between x2 and x64 (you can resize using pylut - see 'convmlv -h') ! "
+							fi
+						elif [[ $i -gt 20 ]]; then
+							invOption "$(basename $LUT_PATH): Invalid LUT - LUT_3D_SIZE not found in first 20 non-commented lines."
+						fi
+						
+						if [[ ! $(echo $sLine | cut -c1-1) == "#" ]]; then ((i++)); fi
+					done < $LUT_PATH
+					
+					LUTS+=( "lut3d=${LUT_PATH}" )
+					lutDesc="3D LUTs"
+					FFMPEG_FILTERS=true
+				;;
+				"SATPOINT") SATPOINT="-S $(echo "${line}" | cut -d$' ' -f2)"
+				;;
+				"WHITE_SPD") WHITE_SPD=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"WHITE_CLIP") isScale=true
+				;;
+				
+				
+				"DESHAKE")
+					DESHAKE="deshake"
+					deshakeDesc="Deshake Filter"
+					FFMPEG_FILTERS=true
+				;;
+				"DUAL_ISO") DUAL_ISO=true
+				;;
+				"BADPIXELS") isBP=true
+				;;
+				"BADPIXEL_PATH") BADPIXEL_PATH=`echo "${line}" | cut -d$' ' -f2`
+				;;
+				"DARKFRAME")
+					DARKFRAME=`echo "${line}" | cut -d$' ' -f2`;
+					
+					if [ ! -f $DARKFRAME ]; then invOption "Invalid Darkframe: ${DARKFRAME}"; fi
+					
+					useDF=true
+				;;
+			esac
+		fi
+	done < "$1"
+}
+
+parseArgs() { #Amazing new argument parsing!!!
+	longArg() { #Creates VAL
+		ret="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+	}
+	while getopts "vh C: o: P: T:  i t: m p: s: k r:  d: f H: c: n: N: Q: O: g: G:  w: A: l: S:  D u b a: F: R:  q K: Y M    -:" opt; do
+		#~ echo $opt ${OPTARG}
+		case "$opt" in
+			-) #Long Arguments
+				case ${OPTARG} in
+					outdir)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						OUTDIR=$val
+						;;
+					version)
+						PROGRAM="version"
+						;;
+					help)
+						PROGRAM="help"
+						;;
+					config)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						LCONFIG=$val
+						;;
+					bin-path)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						BIN_PATH=$val
+						setPaths #Set all the paths with the new BIN_PATH.
+						;;
+					dcraw)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						DCRAW="${val}"
+						;;
+					mlv-dump)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						MLV_DUMP=$val
+						;;
+					raw-dump)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						RAW_DUMP=$val
+						;;
+					badpixels)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						MLV_BP=$val
+						;;
+					cr-hdr)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						CR_HDR=$val
+						;;
+					srange)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						PYTHON_BAL=$val
+						setPaths #Must regen BAL
+						;;
+					balance)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						PYTHON_SRANGE=$val
+						setPaths #Must regen SRANGE
+						;;
+					python)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						PYTHON=$val
+						setPaths #Set all the paths with the new PYTHON.
+						;;
+					threads)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						THREADS=$val
+						;;
+						
+						
+					uncompress)
+						isCOMPRESS=false
+						;;
+						
+						
+					shallow)
+						DEPTH=""
+						DEPTH_OUT="-depth 8"
+						;;
+						
+						
+					white-speed)
+						val="${!OPTIND}"; OPTIND=$(( $OPTIND + 1 ))
+						WHITE_SPD=$val
+						;;
+					allow-white-clip)
+						isScale=true
+						;;
+						
+					*)
+						echo "Invalid option: --$OPTARG" >&2
+						;;
+				esac
+				;;
+			
+			
+			v)
+				PROGRAM="version"
+				;;
+			h)
+				PROGRAM="help"
+				;;
+			C)
+				LCONFIG=${OPTARG}
+				;;
+			o)
+				OUTDIR=${OPTARG}
+				;;
+			P)
+				BIN_PATH=${OPTARG}
+				setPaths #Set all the binary paths with the new BIN_PATH.
+				;;
+			T)
+				THREADS=${OPTARG}
+				;;
+				
+			
+			i)
+				IMAGES=true
+				;;
+			t)
+				mode=${OPTARG}
+				case ${mode} in
+					"0") IMG_FMT="exr"
+					;;
+					"1") IMG_FMT="tiff"
+					;;
+					"2") IMG_FMT="png"
+					;;
+					"3") IMG_FMT="dpx"
+					;;
+					*) invOption "t: Invalid Image Format Choice: ${mode}"
+					;;
+				esac
+				;;
+			m)
+				MOVIE=true
+				;;
+			p)
+				PROXY=${OPTARG}
+				case ${PROXY} in
+					"0") isJPG=false; isH264=false
+					;;
+					"1") isJPG=false; isH264=true
+					;;
+					"2") isJPG=true; isH264=false
+					;;
+					"3") isJPG=true; isH264=true
+					;;
+					*) invOption "p: Invalid Proxy Choice: ${PROXY}"
+					;;
+				esac
+				;;
+			s)
+				PROXY_SCALE=${OPTARG}
+				
+				proxy_num=`echo "$PROXY_SCALE" | cut -d'%' -f 1`
+				if [[ ! ( ($proxy_num -le 100 && $proxy_num -ge 5) && $proxy_num =~ ^-?[0-9]+$ ) ]]; then invOption "s: Invalid Proxy Scale: ${PROXY_SCALE}"; fi
+				;;
+			k)
+				KEEP_DNGS=true
+				;;
+			r)
+				RANGE_BASE=${OPTARG}
+				isFR=false
+				;;
+				
+			
+			d)
+				DEMO_MODE=${OPTARG}
+				;;
+			f)
+				FOUR_COLOR="-f"
+				;;
+			H)
+				HIGHLIGHT_MODE=${OPTARG}
+				;;
+			c)
+				mode=${OPTARG}
+				case ${mode} in
+					"0") CHROMA_SMOOTH="--no-cs"
+					;;
+					"1") CHROMA_SMOOTH="--cs2x2"
+					;;
+					"2") CHROMA_SMOOTH="--cs3x3"
+					;;
+					"3") CHROMA_SMOOTH="--cs5x5"
+					;;
+					*) invOption "c: Invalid Chroma Smoothing Choice: ${mode}"
+					;;
+				esac
+				;;
+			n)
+				WAVE_NOISE="-n ${OPTARG}"
+				;;
+			N)
+				vals=${OPTARG}
+					
+				aVal=$(echo "${vals}" | cut -d"-" -f1)
+				bVal=$(echo "${vals}" | cut -d"-" -f2)
+				
+				TEMP_NOISE="atadenoise=0a=${aVal}:0b=${bVal}:1a=${aVal}:1b=${bVal}:2a=${aVal}:2b=${bVal}"
+				tempDesc="Temporal Denoiser"
+				FFMPEG_FILTERS=true
+				;;
+			Q)
+				vals=${OPTARG}
+				
+				S=`echo "${vals}" | cut -d$':' -f1`
+				T=`echo "${vals}" | cut -d$':' -f2`
+				
+				LS=`echo "${S}" | cut -d$'-' -f1`
+				CS=`echo "${S}" | cut -d$'-' -f2`
+				LT=`echo "${T}" | cut -d$'-' -f1`
+				CT=`echo "${T}" | cut -d$'-' -f2`
+				
+				HQ_NOISE="hqdn3d=luma_spatial=${LS}:chroma_spatial=${CS}:luma_tmp=${LT}:chroma_tmp=${CT}"
+				hqDesc="3D Denoiser"
+				FFMPEG_FILTERS=true
+				;;
+			O)
+				vals=${OPTARG}
+					
+				m1=`echo "${vals}" | cut -d$'-' -f1`
+				m2=`echo "${vals}" | cut -d$'-' -f2`
+				m3=`echo "${vals}" | cut -d$'-' -f3`
+				m4=`echo "${vals}" | cut -d$'-' -f4`
+				
+				REM_NOISE="removegrain=m0=${m1}:m1=${m2}:m2=${m3}:m3=${m4}"
+				remDesc="RemoveGrain Modal Denoiser"
+				FFMPEG_FILTERS=true
+				;;
+			g)
+				mode=${OPTARG}
+				
+				case ${mode} in
+					"0")
+						COLOR_GAMMA="STANDARD" #Lets CM know that it should correspond to the gamut, or be 2.2.
+					;;
+					"1")
+						COLOR_GAMMA="lin" #Linear
+					;;
+					"2")
+						COLOR_GAMMA="cineon" #Cineon
+					;;
+					"3")
+						COLOR_GAMMA="clog2" #C-Log2. Req: color-ext.
+					;;
+					"4")
+						COLOR_GAMMA="slog3" #S-Log3. Req: color-ext.
+					;;
+					#~ "5")
+						#~ COLOR_GAMMA="logc" #LogC 4.X . Req: color-ext.
+					#~ ;;
+					#~ "6")
+						#~ COLOR_GAMMA="acescc" #ACEScc Log Gamma. Req: color-aces.
+					#~ ;;
+					*)
+						invOption "g: Invalid Gamma Choice: ${mode}"
+					;;
+				esac
+				;;
+			G)
+				mode=${OPTARG}
+				
+				case ${mode} in
+					"0")
+						COLOR_GAMUT="srgb" #sRGB
+					;;
+					"1")
+						COLOR_GAMUT="argb" #Adobe RGB
+					;;
+					"2")
+						COLOR_GAMUT="rec709" #Rec.709
+					;;
+					"3")
+						COLOR_GAMUT="xyz" #XYZ. Linear Only.
+					;;
+					#~ "4")
+						#~ COLOR_GAMUT="aces" #ACES. Standard is Linear. Req: color-aces (all gammas will work, even without color-ext)/
+					#~ ;;
+					"4")
+						COLOR_GAMUT="rec2020" #Rec.2020. Req: color-ext.
+					;;
+					"5")
+						COLOR_GAMUT="dcip3" #DCI-P3. Req: color-ext.
+					;;
+					"6")
+						COLOR_GAMUT="ssg3c" #Sony S-Gamut3.cine. Req: color-ext.
+					;;
+					*)
+						invOption "G: Invalid Gamut Choice: ${mode}"
+					;;
+				esac
+				;;
+			
+			w)
+				mode=${OPTARG}
+				
+				case ${mode} in
+					"0") CAMERA_WB=false; GEN_WHITE=true #Will generate white balance.
+					;;
+					"1") CAMERA_WB=true; GEN_WHITE=false; #Will use camera white balance.
+					;;
+					"2") WHITE="-r 1 1 1 1"; CAMERA_WB=false; GEN_WHITE=false #Will not apply any white balance.
+					;;
+					*)
+						invOption "w: Invalid White Balance Choice: ${mode}"
+					;;
+				esac
+				;;
+			A)
+				val=${OPTARG}
+				
+				lSize=`echo "${val}" | cut -d$':' -f1`
+				lStr=`echo "${val}" | cut -d$':' -f2`
+				cSize=`echo "${val}" | cut -d$':' -f3`
+				cStr=`echo "${val}" | cut -d$':' -f4`
+				
+				SHARP="unsharp=${lSize}:${lSize}:${lStr}:${cSize}:${cSize}:${cStr}"
+				sharpDesc="Sharpen/Blur"
+				FFMPEG_FILTERS=true
+				;;
+			l)
+				LUT_PATH=${OPTARG}
+				
+				if [ ! -f $LUT_PATH ]; then invOption "Invalid LUT Path: ${LUT_PATH}"; fi
+				
+				#Check LUT_SIZE
+				i=0
+				while read line; do
+					sLine=$(echo $line | sed -e 's/^[ \t]*//')
+					if [[ $(echo $sLine | cut -c1-11) == "LUT_3D_SIZE" ]]; then
+						if [[ $(echo $sLine | cut -c13-) -le 64 && $(echo $sLine | cut -c13-) -ge 2 ]]; then
+							break
+						else
+							size=$(echo $sLine | cut -c13-)
+							invOption "$(basename $LUT_PATH): Invalid LUT Size of $size x $size x $size - Must be between x2 and x64 (you can resize using pylut - see 'convmlv -h') ! "
+						fi
+					elif [[ $i -gt 20 ]]; then
+						invOption "$(basename $LUT_PATH): Invalid LUT - LUT_3D_SIZE not found in first 20 non-commented lines."
+					fi
+					
+					if [[ ! $(echo $sLine | cut -c1-1) == "#" ]]; then ((i++)); fi
+				done < $LUT_PATH
+				
+				LUTS+=( "lut3d=${LUT_PATH}" )
+				lutDesc="3D LUTs"
+				FFMPEG_FILTERS=true
+				;;
+			S)
+				SATPOINT="-S ${OPTARG}"
+				;;
+			
+			
+			D)
+				DESHAKE="deshake"
+				deshakeDesc="Deshake Filter"
+				FFMPEG_FILTERS=true
+				;;
+			
+			u)
+				DUAL_ISO=true
+				;;
+			b)
+				isBP=true
+				;;
+			a)
+				BADPIXEL_PATH=${OPTARG}
+				BADPIXEL_PATH=${OPTARG}
+				;;
+			F)
+				DARKFRAME=`echo "${line}" | cut -d$' ' -f2`;
+					
+				if [ ! -f $DARKFRAME ]; then invOption "F: Invalid Darkframe: ${DARKFRAME}"; fi
+					
+				useDF=true
+				;;
+			R)
+				PROGRAM="darkframe"
+				#~ MK_DARK=true
+				DARK_OUT=${OPTARG}
+				;;
+			
+			
+			q)
+				PROGRAM="settings"
+				#~ SETTINGS_OUTPUT=true
+				;;
+			K)
+				mode=${OPTARG}
+
+				case ${mode} in
+					"0") echo $DEB_DEPS
+					;;
+					"1") echo $UBU_DEPS
+					;;
+					"2") echo $FED_DEPS
+					;;
+					"3") echo $BREW_DEPS
+					;;
+					*)
+						invOption "K: Invalid Dist Choice: ${mode}"
+					;;
+				esac
+				
+				exit 0
+				;;
+			Y)
+				echo $PIP_DEPS
+				exit 0
+				;;
+			M)
+				echo $MAN_DEPS
+				exit 0
+				;;
+			
+			
+			*)
+				echo "Invalid option: -$OPTARG" >&2
+				;;
+		esac
+	done
+}
+
+
+parseAll() {
+	#Big parse/reparse, making sure global, local, command line options all override each other correctly.
+	set -- $INPUT_ARGS #Reset the argument input for reparsing.
+	setDefaults #Hard set/reset all the lovely globals.
+	OPTIND=1 #Reset argument parsing.
+	
+	parseConf "$GCONFIG" false #Parse global config file.
+
+	parseArgs "$@" #First, parse all cli args. We only need the -C flag, but that forces us to just parse everything.
+	shift $((OPTIND-1)) #Shift past all of the options to the file arguments.
+
+	parseConf "$LCONFIG" false #Parse local config file.
+	set -- $INPUT_ARGS #Reset $@ for cli option reparsing.
+	OPTIND=1 #To reset argument parsing, we must set OPTIND to 1.
+
+	parseArgs "$@" #Reparse cli to overwrite local config options.
+	shift $((OPTIND-1)) #Shift past all of the options to the file arguments.
+	OPTIND=1 #Reset argument index.
+}

src/documentation/TODO.sh

@@ -0,0 +1,42 @@
+less -R << EOF
+
+TODO:
+
+PLANNING:
+	Except for openlut integration, CM fixes, and the last throes of Mac compatibility, I consider convmlv feature-complete. As in, only bug fixes and error checking.
+	New developments, like special ffmpeg filters, or new techniques from the ML world, may change that. But that\'s nothing compared to the 2400 lines this pushes at the moment!
+	Any further effort is better focused on compatibility, bug fixes, error checking, more bug fixes, and finally a GUI app described in FUTURE.
+
+
+TOP PRIORITY
+--> Fix Color Management; -o 5 is broken. Use -o 0 or -o 1, supplemented by current paradigm of Rec709 -> Whatever LUTs, instead of XYZ -> Whatever LUTs.
+--> MLVFS backend - run the mlvfs command, passing whatever options it supports, then rewrite ARG. Give an option to choose mlv_dump or mlvfs, and an option for a custom path to mlvfs.
+*Consider using dcraw for darkframing, through the -K option. Requires a develop from MLV, then a convert to raw PGM, first.
+--> Calibration frame program & library - place in $HOME/.local/convmlv, perhaps.
+--> New program: Install dependencies.
+
+HIGH PRIORITY
+--> Integrate openlut for 1D LUTs. 3D LUTs would only be used for gamut transforms, not gamut/gamma.
+--> More error checking.
+--> Test Mac compatibility with a *working* (with 10.7) mlv_dump...
+--> Documentation: Videos.
+
+MEDIUM PRIORITY
+--> Integrate openlut for gamut ops. Matrices would replace standard 3D LUTs altogether, and openlut would handle 3D LUTs.
+
+LOW
+--> Stats for .RAW files.
+
+
+FUTURE
+--> A GUI app, running libraw variants, which has a CLI backend, but can also output a convmlv config file.
+    --> convmlv will always have more features - bash makes certain nasty things like ffmpeg filters available, as opposed to the \"code it yourself\" of true image array processing...
+    --> But, a GUI is usable by the average non-nerd!! You know, the users of ML.
+
+
+BUG: Relative OUTDIR makes baxpixel generation fail if ./mlv2badpixels.sh doesn\'t exist. Should be fixed on all platforms.
+BIG BUG: Color Management is oversaturated, destructively so.
+--> See Nasty Hacks Part 1 - 3. FML :O.
+
+
+EOF

src/documentation/help.sh

@@ -0,0 +1,288 @@
+#!/bin/bash
+
+help() {
+less -R << EOF 
+Usage:
+	$(echo -e "\033[1m./convmlv.sh\033[0m [FLAGS] [OPTIONS] \033[2mfiles\033[0m")
+	
+$(head "INFO:")
+	A program allowing you to develop ML files into workable formats. Many useful options are exposed.
+	  --> Defaults: Compressed 16-bit Linear EXR. 10-bit Prores4444 MOV.
+	  --> Color Defaults: Linear (1.0) Gamma on sRGB Gamut, using Camera White Balance.
+	  
+	  --> Acceptable Inputs: MLV, RAW (requires raw2dng), Folder containing DNGs.
+	  --> Option Input: From command line or config file (specify with -C).
+	  
+	  --> Forum Post: http://www.magiclantern.fm/forum/index.php?topic=16799.
+	  --> A note: BE CAREFUL WITH OPTIONS. Wrong values will give very strange errors. Read this page well!!
+	  
+	It's as simple or complex as you need it to be: 'convmlv -m <mlvfile>.mlv' is enough for good-looking output!
+	
+$(echo -e "$(head VERSION): ${VERSION}")
+	
+$(head "MANUAL DEPENDENCIES:")
+	Place these in RES_PATH (see OPTIONS, BASIC). Keep in mind you also need dist. and pip packages.
+	  --> See 'Dist Deps' and 'Python Deps'
+
+	-- mlv_dump: Required binary. http://www.magiclantern.fm/forum/index.php?topic=7122.0
+	-- color-core: Required folder of LUTs. See convmlv repository.
+	-- sRange.py: Required script. See convmlv repository.
+	
+	-- raw2dng: For DNG extraction from RAW. http://www.magiclantern.fm/forum/index.php?topic=5404.0
+	-- mlv2badpixels.sh: For bad pixel removal. https://bitbucket.org/daniel_fort/ml-focus-pixels/src
+	-- cr2hdr: For Dual ISO Development. Two links: http://www.magiclantern.fm/forum/index.php?topic=16799.0
+	-- balance.py: For Auto White Balance. See convmlv repository.
+	-- color-ext: Extra LUTs, providing more color resources. See convmlv repository.
+
+$(head "OPTIONS, BASIC:")
+	-v, --version		$(bVal version) - Print out version string.
+	-h, --help		$(bVal help) - Print out this help page.
+	
+	-C, --config		$(bVal config) - Designates config file to use.
+	
+	-o, --outdir <path>	$(cVal OUTDIR) - The path in which files will be placed.
+	-P, --bin-path <path>	$(iVal BIN_PATH) - The path in which all binary dependencies are looked for.
+	  --> Default: ./binaries (the folder binaries in current folder).
+	  --> Source Code: These components will be looked for at <location of convmlv.sh>/src.
+	
+	--dcraw <path>		$(cVal DCRAW) - The path to dcraw.
+	--mlv-dump <path>	$(cVal MLV_DUMP) - The path to mlv_dump.
+	--raw-dump <path>	$(cVal RAW_DUMP) - The path to raw2dng.
+	--badpixels <path>	$(cVal MLV_BP) - The path to mlv2badpixels.sh (by dfort).
+	--cr-hdr <path>		$(cVal CR_HDR) - The path to cr2hdr.
+	--srange <path>	 	$(cVal SRANGE) - The path to sRange.py.
+	--balance <path>	$(cVal BAL) - The path to balance.py.
+	--python <path>		$(cVal PYTHON) - The path or command used to invoke Python 3. Default is python3 on Linux, python on Mac.
+	
+	-T, --threads [int]	$(cVal THREADS) - Override amount of utilized process threads. Default is MAX - 1.
+	
+	
+$(head "OPTIONS, OUTPUT:")
+	-i			$(cVal IMAGE) - Will output image sequence.
+	
+	-t [0:3]		$(cVal IMG_FMT) - Image output format.
+	  --> 0: EXR (default), 1: TIFF, 2: PNG, 3: Cineon (DPX)."
+	
+	-m			$(cVal MOVIE) - Will output a Prores4444 file.
+	
+	-p [0:3]		$(cVal PROXY) - Create proxies alongside main output.
+	  --> 0: No proxies (Default). 1: H.264 proxy. 2: JPG proxy sequence. 3: Both.
+	  
+	  --> JPG proxy will always be in sRGB Gamma/sRGB Gamut. H.264 proxy is color managed.
+	  --> JPG proxy *won't* be developed w/o IMAGE. H.264 proxy *will* be developed no matter what, if specified here.
+	  --> Why? JPG is for potential use in editing. H.264 is for a quick visual preview of convmlv's output.
+	
+	-s [0%:100%]		$(cVal PROXY_SCALE) - the size, in %, of the proxy output.
+	  --> Default: 50%.
+	
+	-k			$(cVal KEEP_DNGS) - Specify if you want to keep the DNG files.
+	  --> Run convmlv on the top level folder of former output to reuse saved DNGs from that run!
+	  
+	-r <start>-<end>	$(cVal FRAME_RANGE) - Specify to process an integer frame range.
+	  --> You may use the characters 's' and 'e', such that s = start frame, e = end frame.
+	  --> Indexed from 0 to (# of frames - 1). Develops from 1 to ($ of frames)
+	  --> A single number may be writted to develop that single frame.
+	  --> DO NOT try to reuse DNGs while developing a larger frame range.
+	
+	
+	--uncompress		$(cVal UNCOMP) - Turns off lossless image compression. Otherwise:
+	  --> TIFF: ZIP, EXR: PIZ, PNG: lvl 0, DPX: RLE.
+	
+	
+$(head "OPTIONS, RAW DEVELOPMENT:")
+	-d [0:3]		$(cVal DEMO_MODE) - Demosaicing algorithm. Higher modes are slower + better.
+	  --> 0: Bilinear. 1: VNG (default). 2: PPG. 3: AHD.
+	
+	-f			$(cVal FOUR_COLOR) - Interpolate as RGBG. Fixes weirdness with VNG/AHD, at the cost of sharpness.
+	
+	-H [0:9]		$(cVal HIGHLIGHT_MODE) - Highlight management options.
+	  --> 0: White, clipped highlights. 1: Unclipped but colored highlights. 2: The defail of 1, but adjusted to grey.
+	  --> 3-9: Highlight reconstruction. Can cause flickering. Start at 5, then adjust to color (down) or to white (up).
+	
+	-c [0:3]		$(cVal CHROMA_SMOOTH) - Apply shadow/highlight chroma smoothing to the footage.
+	  --> 0: None (default). 1: 2x2. 2: 3x3. 3: 5x5.
+	  --> MLV input Only.
+	
+	-n [int]		$(cVal WAVE_NOISE) - Apply wavelet denoising.
+	  --> Default: None. Subtle: 25. Medium: 50. Strong: 125.
+	  
+	-N <A>-<B>		$(cVal TEMP_NOISE) - Apply temporal denoising.
+	  --> A: 0 to 0.3. B: 0 to 5. A reacts to abrupt noise (splotches), B reacts to noise over time (fast motion causes artifacts).
+	  --> Subtle: 0.03-0.04. High: 0.15-0.04. High, Predictable Motion: 0.15-0.07
+	  
+	-Q [i-i:i-i]		$(cVal HQ_NOISE) - Apply 3D denoising filter.
+	  --> In depth explanation: https://mattgadient.com/2013/06/29/in-depth-look-at-de-noising-in-handbrake-with-imagevideo-examples/ .
+	  --> Spacial/Temporal (S/T). S will soften/blur/smooth, T will remove noise without doing that but may create artifacts.
+	  --> Luma/Chroma (L/C). L is the detail, C is the color. Each one's denoising may be manipulated Spacially or Temporally.
+	  
+	  --> Option Value: <LS>-<CS>:<LT>-<CT>
+	  --> Weak: 2-1:2-3. Medium: 3-2:2-3. Strong: 7-7:5-5
+	  
+	  --> DONT combine with TEMP_NOISE.
+	
+	-O [i-i-i-i]		$(cVal REM_NOISE) - Yet another spatial denoiser, with 4 choices of 24 modes.
+	  --> See https://ffmpeg.org/ffmpeg-filters.html#removegrain for list of modes.
+	  
+	  --> Option Value: <mode1>-<mode2>-<mode3>-<mode4>
+	  --> I truly cannot tell you what values will be helpful to you; there are too many... Look at the link!
+	
+	--shallow 		$(cVal SHALLOW) - Output smaller, 8-bit files.
+	  --> Read why this is a bad idea: http://www.cambridgeincolour.com/tutorials/bit-depth.htm
+	
+	
+$(head "OPTIONS, COLOR:")
+	-g [0:4]		$(cVal GAMMA) - Output gamma. A curve applied to the output, for easier viewing/grading.
+	  --> 0: Standard (Around 2.2). 1: Linear (Default).
+	  --> Requires color-ext: 2: Cineon. 3: C-Log2 4: S-Log3
+	  
+	  --> "Standard" grades to the gamut specification, and to 2.2 if that's not given.
+	  
+	-G [0:6]		$(cVal GAMUT) - Output gamut. The range of colors that can exist in the output.
+	  --> 0: sRGB (Default). 1: Adobe RGB. 2: Rec.709. 3: XYZ (Always Linear Gamma).
+	  --> Requires color-ext: 4: Rec2020 5: DCI-P3 6: Sony S-Gamut3.cine
+
+	-w [0:2]		$(cVal WHITE) - This is a modal white balance setting.
+	  --> 0: Auto WB (requires balance.py). 1: Camera WB (default). 2: No Change.
+	  --> AWB uses the Grey's World algorithm.
+	  
+	-A [i:i:i:i]		$(cVal SHARP) - Lets you sharpen, or blur, your footage.
+	  --> BE CAREFUL. Wrong values will give you strange errors.
+	  --> Size/Strength (S/T). S is the size of the sharpen/blur effect, T is the strength of the sharpen/blur effect.
+	  --> Luma/Chroma (L/C). L is the detail, C is the color. Luma sharpening more effective.
+	
+	  --> Option Value: <LS>:<LT>:<CS>:<CT>
+	  --> LS and CS must be ODD, between 3 and 63. Negative LT/CT values blur, while positive ones sharpen.
+	  --> Strong Sharp: 7:3:7:3 Strong Blur: 7,-3:7,-3. Medium Sharp: 5:1:3:0
+	  
+	-l <path>		$(cVal LUT) - Specify a LUT to apply after Color Management.
+	  --> Supports cube, 3dl, dat, m3d.
+	  --> Specify -l multiple times, to apply multiple LUTs in sequence.
+	  
+	-S [int]		$(cVal SATPOINT) - Specify the 14-bit uint saturation point of your camera. You don't usually need to.
+	  --> Worth setting globally, as it's a per-camera setting. Must be correct for highlight reconstruction/unclipped highlights.
+	  --> Lower from 15000 if -H1 yields purple highlights, until they turn white.
+	  --> You can determine the optimal value using the max pixel value of 'dcraw -D -j -4 -T'.
+	
+	--white-speed [int]	$(cVal WHITE_SPD) - Manually specify samples used to calculate AWB.
+	
+	--allow-white-clip	$(cVal WHITE_CLIP) - Let the White Balance multipliers clip.
+	
+	
+$(head "OPTIONS, FEATURES:")
+	-D			$(cVal DESHAKE) - Auto-stabilize the video using ffmpeg's "deshake" module.
+	  --> You may wish to crop/scale the output later, to avoid edge artifacts.
+	
+	-u			$(cVal DUAL_ISO) - Process as dual ISO.
+	  --> Requires cr2hdr.
+	
+	-b			$(cVal BADPIXELS) - Fix focus pixels issue using dfort's script.
+	  --> Requires mlv2badpixels.sh.
+	
+	-a <path>		$(cVal BADPIXEL_PATH) - Use your own .badpixels file. Does NOT require mlv2badpixels.sh
+	  --> How to: http://www.dl-c.com/board/viewtopic.php?f=4&t=686
+	
+	-F <path>		$(cVal DARKFRAME) - This is the path to a "dark frame MLV"; effective for noise reduction.
+	  --> How to: Record 5 sec w/lens cap on & same settings as footage. Pass MLV in here.
+	  --> If the file extension is '.darkframe', the file will be used as a preaveraged dark frame.
+	
+	-R <path>		$(bVal darkframe_output) - Specify to create a .darkframe file from passed in MLV.
+	 --> Usage: 'convmlv -R <path> <input>.MLV'
+	 --> Averages <input>.MLV to create <path>.darkframe.
+	 --> THE .darkframe EXTENSION IS ADDED FOR YOU.
+	
+	
+$(head "OPTIONS, INFO:")
+	-q			$(bVal settings) - Output MLV settings.
+	
+	-K [0:3]		$(bVal "Dist Deps") - Output package dependecies, for use with common package managers.
+	  --> 0: Debian, 1: Ubuntu, 2: Fedora, 3: Homebrew (Mac)
+	
+	  --> Deps Install (Debian): sudo apt-get install \$(./convmlv.sh -K 0)
+	  --> Deps Install (Ubuntu): sudo apt-get install \$(./convmlv.sh -K 1)
+	  --> Deps Install (Fedora): sudo yum install \$(./convmlv.sh -K 2)
+	  --> Deps Install (Homebrew Mac): brew install \$(./convmlv.sh -K 3)
+	
+	-Y			$(bVal "Python Deps") - Lists Python dependencies. Works directly with pip.
+	  -->Install (Cross-Platform): sudo python3 -m pip install $ (./convmlv -Y)
+	
+	-M			$(bVal "Manual Deps") - Lists manual dependencies, which must be downloaded by hand.
+	  --> Manually place all in RES_PATH. See http://www.magiclantern.fm/forum/index.php?topic=16799.0 .
+	
+	
+$(head "COLOR MANAGEMENT:")
+	$(bold INTRO) Images aren't simple. They are often stored, processed, and viewed as a result of complex transformations usually called, 
+	in applications, color management. Understanding it is required as a colourist, and encouraged as a DPs and Cinematographers.
+	
+	--> Intro: http://www.cambridgeincolour.com/tutorials/color-management1.htm
+	--> Understanding Gamma: http://www.cambridgeincolour.com/tutorials/gamma-correction.htm
+	--> Color Spaces: http://www.cambridgeincolour.com/tutorials/color-spaces.htm
+	--> Conversions: http://www.cambridgeincolour.com/tutorials/color-space-conversion.htm
+	--> Monitor Calibration: http://www.cambridgeincolour.com/tutorials/monitor-calibration.htm
+	
+	$(bold "PIPELINE") convmlv is a color managed application, designed to retain quality from RAW footage:
+	
+		-- mlv_dump writes camera-specific color transformation matrices as metadata in developed DNGs.
+			--> This defines the camera's gamut.
+		-- dcraw applies these matrices, then transforms the newly developed image to the super-wide XYZ colorspace.
+			--> All color detail is preserved, and if now in a well-defined colorspace.
+			--> No gamma has been applied - the image is now Linear XYZ.
+		-- ffmpeg applies the specified (up to) x64 resolution 3D LUTs, in .cube format.
+			--> Use -g and -G to specify Gamma/Gamut combinations.
+			--> The output employs DATA, not LEGAL, values. The resulting image is flatter, but retains all shadow/highlight detail.
+			--> -l specified LUTs are applied afterwards.
+	
+	$(bold "3D LUTS") The included LUTs, found in the convmlv repository, are key to convmlv's color management solution:
+		-- color-core: The required LUTs, including sRGB (default), Adobe RGB, and Rec709 in Standard and Linear gamma.
+		-- color-ext: Optional LUTs, including Rec2020, DCI-P3, etc. in Standard/Linear gammas, but also in Log formats.
+		
+	$(bold "Create Your Own LUTs") using LUTCalc, for any grading format output: https://cameramanben.github.io/LUTCalc/ (watch his tutorials).
+	 --> Note that convmlv only accepts up to 64x64x64 LUTs. You can resize LUTs using pylut (https://pypi.python.org/pypi/pylut).
+	 --> The pylut command to resize is 'pylut <yourx65lut>.cube --resize 64'. Alternatively, you can use pylut from Python (2X only).
+	 
+	 --> I reccommend Legal --> Data LUTs, as this conserves shadow/highlight detail for grading. Legal --> Legal looks better, but with detail loss.
+	
+	
+$(head "CONFIG FILE:")
+	Config files, another way to specify options, can save you time & lend you convenience in production situations.
+	
+	$(echo -e "\033[1mGLOBAL\033[0m"): $HOME/convmlv.conf
+	$(echo -e "\033[1mLOCAL\033[0m"): Specify -C/--config.
+	
+	
+	$(echo -e "\033[1mSYNTAX:\033[0m")
+		Most options listed above have an uppercased VARNAME, ex. OUTDIR. You can specify such options in config files, as such:
+		
+			<VARNAME> <VALUE>
+			
+		One option per line only. Indentation by tabs or spaces is allowed, but not enforced.
+			
+		$(echo -e "\033[1mComments\033[0m") Lines starting with # are comments.
+		
+		You may name a config using:
+		
+			CONFIG_NAME <name>
+			
+		$(echo -e "\033[1mFlags\033[0m") If the value is a true/false flag (ex. IMAGE), simply specifying VARNAME is enough. There is no VALUE.
+	
+	$(echo -e "\033[1mOPTION ORDER OF PRECEDENCE\033[0m") Options override each other as such:
+		-LOCAL options overwrite GLOBAL options.
+		-COMMAND LINE options overwrite LOCAL & GLOBAL options.
+		-FILE SPECIFIC options overwrite ALL ABOVE options.
+	
+	
+	$(echo -e "\033[1mFile-Specific Block\033[0m"): A LOCAL config file lets you specify options for specific input names:
+	
+		/ <TRUNCATED INPUTNAME>
+			...options here will only be 
+		*
+		
+		You must use the truncated (no .mlv or .raw) input name after the /. Nested blocks will fail.
+		
+		With a single config file, you can control the development options of multiple inputs as specifically and/or generically
+		as you want. Batch developing everything can then be done with a single, powerful commmand.
+		
+
+
+Contact me with any feedback or questions at convmlv@sofusrose.com, PM me (so-rose) on the ML forums, or post on the thread!
+EOF
+}

src/helpers/error.sh

@@ -0,0 +1,140 @@
+
+invOption() {
+	str=$1
+	
+	echo -e "\033[0;31m\033[1m${str}\033[0m"
+	
+	echo -e "\n\033[1mCleaning Up.\033[0m\n\n"
+	
+	#Delete tmp
+	rm -rf $TMP
+	
+	exit 1
+}
+
+checkArg() {
+	#stderr is for printing; stdout is for return values.
+	
+	argBase="$(basename "$ARG")"
+	argExt="${argBase##*.}"
+	argTrunc="${argBase%.*}"
+	local cont
+	
+	#Argument Checks
+	if [ ! -f $ARG ] && [ ! -d $ARG ]; then
+		nFound "File" "${ARG}" "Skipping File"
+		echo "skip" >&1; return
+	fi
+	
+	if [[ ! -d $ARG && ! ( $argExt == "MLV" || $argExt == "mlv" || $argExt == "RAW" || $argExt == "raw" ) ]]; then
+		echo -e "\033[0;31m\033[1mFile ${ARG} has invalid extension!\033[0m\n" >&2
+		echo "skip" >&1; return
+	fi
+	
+	if [[ ( ( ! -f $ARG ) && $(ls -1 ${ARG%/}/*.[Dd][Nn][Gg] 2>/dev/null | wc -l) == 0 ) && ( `folderName ${ARG}` != $argTrunc ) ]]; then
+		echo -e "\033[0;31m\033[1mFolder ${ARG} contains no DNG files!\033[0m\n" >&2
+		echo "skip" >&1; return
+	fi
+	
+	if [ ! -d $ARG ] && [[ $(echo $(wc -c ${ARG} | xargs | cut -d " " -f1) / 1000 | bc) -lt 1000 ]]; then #Check that the file is not too small.
+		cont=false
+		while true; do
+			#xargs easily trims the cut statement, which has a leading whitespace on Mac.
+			read -p "${ARG} is unusually small at $(echo "$(echo "$(wc -c ${ARG})" | xargs | cut -d$' ' -f1) / 1000" | bc)KB. Continue, skip, remove, or quit? [c/s/r/q] " csr
+			case $csr in
+				[Cc]* ) "\n\033[0;31m\033[1mContinuing.\033[0m\n"; break
+				;;
+				[Ss]* ) echo -e "\n\033[0;31m\033[1mSkipping.\033[0m\n"; cont=true; break
+				;;
+				[Rr]* ) echo -e "\n\033[0;31m\033[1mRemoving ${ARG}.\033[0m\n"; cont=true; rm $ARG; break
+				;;
+				[Qq]* ) echo -e "\n\033[0;31m\033[1mQuitting.\033[0m\n"; isExit=true; break
+				;;
+				* ) echo -e "\033[0;31m\033[1mPlease answer continue, skip, or remove.\033[0m\n"
+				;;
+			esac
+		done
+		
+		if [ $cont == true ]; then
+			echo "skip" >&1; return
+		fi
+	fi
+}
+
+checkDeps() {
+		#Essentials
+		if [ ! -f $MLV_DUMP ]; then
+			nFound "Binary" "${MLV_DUMP}" "Execution will halt" "Get it here: http://www.magiclantern.fm/forum/index.php?topic=7122.0."
+			isExit=true
+		fi
+		if [ ! -d ${COLOR_LUTS[0]} ]; then
+			nFound "Folder" "color-core" "Execution will halt" "Download from convmlv repository."
+			isExit=true
+		fi
+		if [ ! -f $PYTHON_SRANGE ]; then
+			nFound "Python Script" "${PYTHON_SRANGE}" "Execution will halt" "Download from convmlv repository."
+			isExit=true
+		fi
+		
+		cmdExists() { if type -P "$1" &> /dev/null || [ -x "$1" ]; then echo true; else echo false; fi }
+		
+		#Basic Options - Dist Deps
+		if [[ $(cmdExists "$DCRAW") != true ]]; then
+			nFound "Command" "$DCRAW" "Execution will halt" "dcraw not installed correctly - See Dist Deps in the OPTIONS, INFO section of 'convmlv -h'."
+			isExit=true
+		fi
+		if [[ $(cmdExists "$PYTHON") != true ]]; then
+			nFound "Command" "$PYTHON" "Execution will halt" "Python was not installed correctly. Install version 3.X, or see PYTHON in the OPTIONS, BASIC section of 'convmlv -h' for custom path."
+			isExit=true
+		fi
+		if [[ $(cmdExists "$PYTHON") == true && $($PYTHON -c 'import sys; print(sys.version_info[0])') != 3 ]]; then
+			nFound "Python Version" "3.X" "Execution will halt" "Your python version is $($PYTHON -c "import sys; print('.'.join(str(x) for x in sys.version_info[0:3]))") - convmlv requires 3.X. Typically, you must install the 'python3' package; else you can set set PYTHON in the OPTIONS, BASIC section of 'convmlv -h'."
+		fi
+		if [[ $(cmdExists "convert") != true ]]; then
+			nFound "Command" "convert" "Execution will halt" "ImageMagick not installed correctly - See Dist Deps in the OPTIONS, INFO section of 'convmlv -h'."
+			isExit=true
+		fi
+		if [[ $(cmdExists "ffmpeg") != true ]]; then
+			nFound "Command" "ffmpeg" "Execution will halt" "ffmpeg not installed correctly - See Dist Deps in the OPTIONS, INFO section of 'convmlv -h'."
+			isExit=true
+		fi
+		if [[ $(cmdExists "exiftool") != true ]]; then
+			nFound "Command" "exiftool" "Execution will halt" "exiftool not installed correctly - See Dist Deps in the OPTIONS, INFO section of 'convmlv -h'."
+			isExit=true
+		fi
+		
+		#Optionals
+		if [ ! -f $RAW_DUMP ]; then
+			nFound "Binary" "${RAW_DUMP}" "Execution will continue without .RAW processing capability" "Get it here: http://www.magiclantern.fm/forum/index.php?topic=5404.0."
+		fi
+		if [ ! -f $MLV_BP ]; then
+			nFound "SH Script" "${MLV_BP}" "Execution will continue without badpixel removal capability" "Get it here: https://bitbucket.org/daniel_fort/ml-focus-pixels/src"
+		fi
+		if [ ! -f $CR_HDR ]; then
+			nFound "Binary" "${CR_HDR}" "Execution will continue without Dual ISO processing capability" "Get it here: http://www.magiclantern.fm/forum/index.php?topic=7139.0"
+		fi
+		if [ ! -f $PYTHON_BAL ]; then
+			nFound "Python Script" "${PYTHON_BAL}" "Execution will continue without AWB" "Download from convmlv repository."
+		fi
+		if [ ! -d ${COLOR_LUTS[1]} ]; then
+			nFound "Folder" "color-ext" "Execution will continue without extra gamma/gamut options." "Download from convmlv repository."
+		fi
+		
+		if [[ $isExit == true ]]; then
+			echo -e "\033[0;33m\033[1mPlace all binaries in BIN_PATH - ${BIN_PATH} - or give specific paths with the relevant arguments/config options (see 'convmlv -h'). Also, make sure they're executable (run 'chmod +x file').\033[0m\n"
+			exit 1
+		fi
+		
+		
+		#Option Checking - ideally, we do all of these. For now, I'm bored of it...
+			#Check wavelet NR - WAVE_NOISE
+			#Check TEMP_NOISE
+			#Check HQ_NOISE
+			#Check REM_NOISE
+			#Check SHARP
+			#Check SATPOINT
+			#Check WHITE_SPD
+			#Check BADPIXEL_PATH
+			#Check LUT size.
+			#badpixel info.
+}

src/helpers/format.sh

@@ -0,0 +1,35 @@
+bold() {
+	echo -e "\033[1m${1}\033[0m"
+}
+
+cVal() {
+	#usage: cVal value
+	#desc: Formats config file values, as bolded grey.
+	#return: Formatted value.
+	
+	echo -e "\033[1m\033[37m${1}\033[0m"
+}
+
+bVal() {
+	#usage: bVal value
+	#desc: Formats running (not related to development) options, as bolded green.
+	#return: Formatted value.
+	
+	echo -e "\033[1m\033[32m${1}\033[0m"
+}
+
+head() {
+	#usage: cVal value
+	#desc: Formats help page header values, as bold.
+	#return: Formatted value.
+	
+	echo -e "\033[1m${1}\033[0m"
+}
+
+iVal() {
+	#usage: iVal value
+	#desc: Formats important config values, as bolded yellow.
+	#return: Formatted value.
+	
+	echo -e "\033[1m\033[33m${1}\033[0m"
+}

src/helpers/platform.sh

@@ -0,0 +1,13 @@
+#!/bin/bash
+
+getThreads() {
+	local threads=4 #4 threads by default
+	
+	if [[ $OSTYPE == "linux-gnu" ]]; then #Linux-specific constants.
+		threads=$(cat /proc/cpuinfo | awk '/^processor/{print $3}' | tail -1)
+	elif [[ $OSTYPE == "darwin11" ]]; then #Mac-specific constants
+		threads=$(sysctl -n hw.ncpu)
+	fi
+	
+	echo "$threads"
+}

src/helpers/utility.sh

@@ -0,0 +1,52 @@
+nFound() { #Prints: ${type} ${name} not found! ${exec_instr}.\n\t${down_instr} to stderr.
+	type=$1
+	name="$2"
+	exec_instr=$3
+	down_instr=$4
+	
+	if [[ -z $down_instr ]]; then
+		echo -e "\033[1;31m${type} \033[0;1m${name}\033[1;31m not found! ${exec_instr}.\033[0m\n" >&2
+	else
+		echo -e "\033[1;31m${type} \033[0;1m${name}\033[1;31m not found! ${exec_instr}.\033[0m\n------> ${down_instr}\n" >&2
+	fi
+}
+
+mkdirS() {
+	path=$1
+	cleanup=$2
+	cont=false
+		
+	if [ -d $path ]; then
+		while true; do
+			read -p "Overwrite ${path}? [y/n/q] " ynq
+			case $ynq in
+				[Yy]* ) echo -e ""; rm -rf $path; mkdir -p $path >/dev/null 2>/dev/null; break
+				;;
+				[Nn]* ) echo -e "\n\033[0;31m\033[1mDirectory ${path} won't be created.\033[0m\n"; cont=true; `$cleanup`; break
+				;;
+				[Qq]* ) echo -e "\n\033[0;31m\033[1mHalting execution. Directory ${path} won't be created.\033[0m\n"; `$cleanup`; exit 1;
+				;;
+				* ) echo -e "\033[0;31m\033[1mPlease answer yes or no.\033[0m\n"
+				;;
+			esac
+		done
+	else
+		mkdir -p $path >/dev/null 2>/dev/null
+	fi
+	
+	if [ $cont == true ]; then 
+		let ARGNUM--
+		continue
+	fi
+	
+}
+
+folderName() {
+	#Like basename, but for folders.
+	echo "$1" | rev | cut -d$'/' -f1 | rev
+}
+
+joinArgs() {
+	#Joins the arguments of the input array using commas.
+	local d=$1; shift; echo -n "$1"; shift; printf "%s" "${@/#/$d}"
+}

src/programs/califrame.sh

@@ -0,0 +1,5 @@
+mkDarkframe() {
+	echo -e "\n\033[1m\033[0;32m\033[1mAveraging Darkframe File\033[0m: ${ARG}"
+	$MLV_DUMP -o $DARK_OUT ${FILE_ARGS_ARRAY[0]} 2>/dev/null 1>/dev/null
+	echo -e "\n\033[1m\033[1mWrote Darkframe File\033[0m: ${DARK_OUT}\n"
+}

src/programs/shotSettings.sh

@@ -0,0 +1,103 @@
+prntSet() {
+	cat << EOF
+$(bold CameraName): ${CAM_NAME}
+$(bold RecordingDate): ${REC_DATE}
+$(bold RecordingTime): ${REC_TIME}
+
+$(bold FPS): ${FPS}
+$(bold Resolution): ${RES_IN}
+$(bold TotalFrames): ${FRAMES}
+
+$(bold Aperture): ${APERTURE}
+$(bold ISO): ${ISO}
+$(bold ShutterSpeed): ${SHUTTER}
+$(bold WBKelvin): ${KELVIN}
+
+$(bold FocalLength): ${LEN_FOCAL}
+
+EOF
+}
+
+mlvSet() {
+	camDump=$(${MLV_DUMP} -v -m ${ARG}) #Read it in *once*; otherwise it's unbearably slow on external media.
+	
+	FPS=`echo "$camDump" | grep FPS | awk 'FNR == 1 {print $3}'`
+			
+	CAM_NAME=`echo "$camDump" | grep 'Camera Name' | cut -d "'" -f 2`
+	FRAMES=`echo "$camDump" | awk '/Processed/ { print $2; }'` #Use actual processed frames as opposed to what the sometimes incorrect metadata thinks.
+	RES_IN=`echo "$camDump" | grep "Res" | sed 's/[[:alpha:] ]*:  //'`
+	ISO=`echo "$camDump" | grep 'ISO' | sed 's/[[:alpha:] ]*:        //' | cut -d$'\n' -f2`
+	APERTURE=`echo "$camDump" | grep 'Aperture' | sed 's/[[:alpha:] ]*:    //' | cut -d$'\n' -f1`
+	LEN_FOCAL=`echo "$camDump" | grep 'Focal Len' | sed 's/[[:alpha:] ]*:   //' | cut -d$'\n' -f1`
+	SHUTTER=`echo "$camDump" | grep 'Shutter' | sed 's/[[:alpha:] ]*:   //' | grep -oP '\(\K[^)]+' |  cut -d$'\n' -f1`
+	REC_DATE=`echo "$camDump" | grep 'Date' | sed 's/[[:alpha:] ]*:        //' | cut -d$'\n' -f1`
+	REC_TIME=`echo "$camDump" | grep 'Time:        [0-2][0-9]\:*' | sed 's/[[:alpha:] ]*:        //' | cut -d$'\n' -f1`
+	KELVIN=`echo "$camDump" | grep 'Kelvin' | sed 's/[[:alpha:] ]*:   //' | cut -d$'\n' -f1`
+}
+
+rawSet() { #To be implemented maybe - exiftool? Or raw_dump? ...
+	CAM_NAME="Unknown"
+	FRAMES="Unknown"
+	RES_IN="Unknown"
+	ISO="Unknown"
+	APERTURE="Unknown"
+	LEN_FOCAL="Unknown"
+	SHUTTER="Unknown"
+	REC_DATE="Unknown"
+	REC_TIME="Unknown"
+	KELVIN="Unknown"
+}
+
+dngSet() { #Set as many options as the RAW spec will allow. Grey out the rest.
+	dngLoc=$1
+	
+	if [[ -z $dngLoc ]]; then dngLoc="${ARG}"; fi
+	
+	for dng in $dngLoc/*.dng; do
+		dataDNG="$(pwd)/.datadng.dng"
+		cp $dng $dataDNG
+		break
+	done
+	FPS=24 #Standard FPS.
+	
+	#Frames is taken care of.
+	CAM_NAME=$(exiftool -UniqueCameraModel -s -s -s $dataDNG)
+	RES_IN=$(exiftool -ImageSize -s -s -s $dataDNG)
+	ISO=$(exiftool -UniqueCameraModel -s -s -s $dataDNG)
+	APERTURE=$(exiftool -ApertureValue -s -s -s $dataDNG)
+	LEN_FOCAL=$(exiftool -FocalLength -s -s -s $dataDNG)
+	SHUTTER=$(exiftool -ShutterSpeed -s -s -s $dataDNG)
+	REC_DATE=$(echo "$(exiftool -DateTimeOriginal -s -s -s $dataDNG)" | cut -d$' ' -f1)
+	REC_TIME=$(echo "$(exiftool -DateTimeOriginal -s -s -s $dataDNG)" | cut -d$' ' -f2)
+	KELVIN="Unknown"
+	
+	rm $dataDNG
+}
+
+printFileSettings() {
+	ARG="${FILE_ARGS_ARRAY[0]}"
+	checkArg
+	
+	BASE="$(basename "$ARG")"
+	EXT="${BASE##*.}"
+	
+	if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
+		# Read the header for interesting settings :) .
+		mlvSet
+		
+		echo -e "\n\033[1m\033[0;32m\033[1mFile\033[0m: ${ARG}\n"
+		prntSet
+	elif [ $EXT == "RAW" ] || [ $EXT == "raw" ]; then
+		rawSet
+		
+		echo -e "\n\033[1m\033[0;32m\033[1mFile\033[0m\033[0m: ${ARG}\n"
+		prntSet
+	elif [ -d $ARG ]; then
+		dngSet
+		
+		echo -e "\n\033[1m\033[0;32m\033[1mFile\033[0m\033[0m: ${ARG}\n"
+		prntSet
+	else
+		echo -e "Cannot print settings from ${ARG}; it's not a valid file!"
+	fi
+}