convmlv/convmlv.sh

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#!/bin/bash
#TODO:
#~ DNG Dump Speedup
#~ --> Progressively cut MLV into $THREADS different MLVs. Dump all & renumber
#~ over a certain amount of frames.
#~ Stats for .RAW files and DNG sequences, best as possible.
#~ --> Only read the file once into a long string, as opposed to once per setting.
#~ Better Preview:
#~ --> Essentially, a different module (like -e) for seeing, not developing, footage.
#~ --> To start, an option allowing one to see a single frame, developed.
#UNFIXED BUG: Run on all Charleston files; determine what's making Black Level not appear sometimes.
#~ The MIT License (MIT)
#~ Copyright (c) 2016 Sofus Rose
#~ Permission is hereby granted, free of charge, to any person obtaining a copy
#~ of this software and associated documentation files (the "Software"), to deal
#~ in the Software without restriction, including without limitation the rights
#~ to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
#~ copies of the Software, and to permit persons to whom the Software is
#~ furnished to do so, subject to the following conditions:
#~
#~ The above copyright notice and this permission notice shall be included in all
#~ copies or substantial portions of the Software.
#~
#~ THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
#~ IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
#~ FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
#~ AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
#~ LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
#~ OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
#~ SOFTWARE.
#BASIC VARS
VERSION="1.8.2" #Version string.
if [[ $OSTYPE == "linux-gnu" ]]; then
THREADS=$(cat /proc/cpuinfo | awk '/^processor/{print $3}' | tail -1)
else
THREADS=4
fi
#sysctl -n hw.ncpu for Mac
#DEPENDENCIES
DEB_DEPS="imagemagick dcraw ffmpeg python3 python3-pip exiftool" #Dependency package names (Debian). List with -K option.
PIP_DEPS="numpy Pillow tifffile" #Technically, you don't need Pillow. I'm not really sure :).
MAN_DEPS="mlv_dump raw2dng cr2hdr mlv2badpixels.sh balance.py"
PYTHON="python3" #Different depending on OS. Probably just 'python'.
#PATHS
MLV_DUMP="./mlv_dump" #Path to mlv_dump location.
RAW_DUMP="./raw2dng" #Path to raw2dng location.
CR_HDR="./cr2hdr" #Path to cr2hdr location.
MLV_BP="./mlv2badpixels.sh"
PYTHON_BAL="./balance.py"
PYTHON_SRANGE="./sRange.py"
BAL="${PYTHON} ${PYTHON_BAL}"
SRANGE="${PYTHON} ${PYTHON_SRANGE}"
OUTDIR="$(pwd)/raw_conv"
isOutGen=false
#OUTPUT
MOVIE=false
FPS=24 #Will be read from .MLV or .RAW.
IMAGES=false
IMG_FMT="exr"
COMPRESS=""
isCOMPRESS=true
isJPG=false
isH264=false
KEEP_DNGS=false
#FRAME RANGE
FRAME_RANGE="" #UPDATED LATER WHEN FRAME # IS AVAILABLE.
FRAME_START="1"
FRAME_END=""
RANGE_BASE=""
isFR=true
#RAW DEVELOPOMENT
HIGHLIGHT_MODE="0"
PROXY_SCALE="50%"
DEMO_MODE="1"
GAMMA="1 1"
SPACE="0" #Color Space. Correlates to Gamma.
DEPTH="-W -6"
DEPTH_OUT="-depth 16"
NOISE_REDUC=""
FOUR_COLOR=""
CHROMA_SMOOTH="--no-cs"
#FEATURES
DUAL_ISO=false
BADPIXELS=""
BADPIXEL_PATH=""
isBP=false
DARKFRAME=""
SETTINGS_OUTPUT=false
BLACK_LEVEL=""
#White Balance
WHITE=""
GEN_WHITE=false
CAMERA_WB=true
WHITE_SPD=15
isScale=false
SATPOINT=""
#LUT
LUT=""
isLUT=false
help() {
cat << EOF
Usage:
$(echo -e "\033[1m./convmlv.sh\033[0m [OPTIONS] \033[2mmlv_files\033[0m")
INFO:
A script allowing you to convert .MLV, .RAW, or a folder with a DNG sequence into a sequence/movie with optional proxies. Images
are auto compressed. Many useful options are exposed, including formats (EXR by default).
$(echo -e "VERSION: ${VERSION}")
DEPENDENCIES: If you don't use a feature, you don't need the dependency, though it's best to download them all.
-mlv_dump: For DNG extraction from MLV. http://www.magiclantern.fm/forum/index.php?topic=7122.0
-raw2dng: For DNG extraction from RAW. http://www.magiclantern.fm/forum/index.php?topic=5404.0
-mlv2badpixels.sh: For bad pixel removal. https://bitbucket.org/daniel_fort/ml-focus-pixels/src
-dcraw: For RAW development.
-ffmpeg: For video creation.
-ImageMagick: Used for making proxy sequence.
-Python 3 + libs: Used for auto white balance.
-exiftool: Used in mlv2badpixels.sh.
OPTIONS, BASIC:
-v version - Print out version string.
-o<path> OUTDIR - The path in which files will be placed (no space btwn -o and path).
-M<path> MLV_DUMP - The path to mlv_dump (no space btwn -M and path). Default is './mlv_dump'.
-R<path> RAW_DUMP - The path to raw2dng (no space btwn -M and path). Default is './raw2dng'.
-y<path> PYTHON - The path or command used to invoke Python. Defaults to python3.
-B<path> MLV_BP - The path to mlv2badpixels.sh (by dfort). Default is './mlv2badpixels.sh'.
-T[int] Max process threads, for multithreaded parts of the program. Defaults to 8.
OPTIONS, OUTPUT:
-i IMAGE - Specify to create an image sequence (EXR by default).
-f[0:3] IMG_FMT - Create a sequence of <format> format. 0 is default.
--> 0: EXR (default), 1: TIFF, 2: PNG, 3: Cineon (DPX)."
-c COMPRESS - Specify to turn ***off*** automatic image compression. Auto compression options otherwise used:
--> TIFF: ZIP (best for 16-bit), PIZ for EXR (best for grainy images), PNG: lvl 9 (zlib deflate), DPX: RLE.
-m MOVIE - Specify to create a Prores4444 video.
-p[0:3] PROXY - Specifies the proxy mode. 0 is default.
--> 0: No proxies. 1: H.264 proxy. 2: JPG proxy sequence. 3: Both.
--> JPG proxy won't be developed w/o -i. H.264 proxy will be developed no matter what, if specified.
-s[0%:100%] PROXY_SCALE - the size, in %, of the proxy output.
--> Use -s<percentage>% (no space). 50% is default.
-k KEEP_DNGS - Specify if you want to keep the DNG files.
--> If you run convmlv on the dng_<name> folder, you will reuse those DNGs - no need to redevelop!
-E<range> FRAME_RANGE - Specify to process only this frame range.
--> Use s and e appropriately to specify start and end.
--> <range> must be written as <start>-<end>, indexed from 0 to (# of frames - 1).
--> If you write a single number, only that frame will be developed.
OPTIONS, RAW DEVELOPMENT:
-d[0:3] DEMO_MODE - DCraw demosaicing mode. Higher modes are slower. 1 is default.
--> Use -d<mode> (no space). 0: Bilinear. 1: VNG (default). 2: PPG. 3: AHD.
-r FOUR_COLOR - Interpolate as four colors. Can often fix weirdness with VNG/AHD.
-H[0:9] HIGHLIGHT_MODE - 2 looks the best, but can break. 0 is a safe bet.
--> Use -H<number> (no space). 0 clips. 1 allows colored highlights. 2 adjusts highlights to grey.
--> 3 through 9 do highlight reconstruction with a certain tone. See dcraw documentation.
-C[0:3] CHROMA_SMOOTH - Apply chroma smoothing to the footage, which may help ex. with noise/bad pixels.
--> 0: None (default). 1: 2x2. 2: 3x3. 3: 5x5.
--> Only applied to .MLV files.
-n[int] NOISE_REDUC - This is the threshold of wavelet denoising - specify to use.
--> Use -n<number>. Defaults to no denoising. 150 tends to be a good setting; 350 starts to look strange.
-g[0:4] SPACE - This is output color space. 0 is default.
--> Use -g<mode> (no space). 0: Linear. 1: 2.2 (Adobe RGB). 2: 1.8 (ProPhoto RGB). 3: sRGB. 4: BT.709.
-S SHALLOW - Specifying this option will create an 8-bit output instead of a 16-bit output.
--> It'll kind of ruin the point of RAW, though....
OPTIONS, COLOR:
-w[0:2] WHITE - This is a modal white balance setting. Defaults to 1.
--> Use -w<mode> (no space).
--> 0: Auto WB (Requires Python Deps). 1: Camera WB. 2: No Change.
-L WHITE_SCALE - Specify to allow channels to clip as a result of any white balance.
--> Information loss occurs in certain situations.
-t[int] SATPOINT - Specify the 14-bit saturation point of your camera.
--> Lower if -H1 yields purple highlights. Must be correct for highlight reconstruction.
--> Determine using the max value of 'dcraw -D -j -4 -T'
-A[int] WHITE_SPD - This is the amount of samples from which AWB will be calculated.
-->About this many frames, averaged over the course of the sequence, will be used to do AWB.
-l<path> LUT - This is a path to the 3D LUT. Specify the path to the LUT to use it.
--> Compatibility determined by ffmpeg (.cube is supported).
--> LUT cannot be applied to EXR sequences.
--> Path to LUT (no space between -l and path).
OPTIONS, FEATURES:
-u DUAL_ISO - Process file as dual ISO.
-b BADPIXELS - Fix focus pixels issue using dfort's script.
--> His file can be found at https://bitbucket.org/daniel_fort/ml-focus-pixels/src.
-a<path> BADPIXEL_PATH - Use, appending to the generated one, your own .badpixels file.
--> Use -a<path> (no space). How to: http://www.dl-c.com/board/viewtopic.php?f=4&t=686
-F<path> DARKFRAME - This is the path to the dark frame MLV, for noise reduction.
--> This is a noise reduction technique: Record 5 sec w/lens cap on & same settings as footage.
--> Pass in that MLV file (not .RAW) as <path> to get noise reduction on all passed MLV files.
--> If the file extension is '.darkframe', the file will be used as the preaveraged dark frame.
OPTIONS, INFO:
-e Output MLV settings.
-K Debian Package Deps - Lists dependecies. Works with apt-get on Debian; should be similar elsewhere.
--> No operations will be done.
--> Example: sudo apt-get install $ (./convmlv -K)
-Y Python Deps - Lists Python dependencies. Works with pip.
--> No operations will be done.
--> Example: sudo pip3 install $ (./convmlv -Y)
-N Manual Deps - Lists manual dependencies, which must be downloaded by hand.
--> There's no automatic way to install these. See the forum post.
EOF
}
mkdirS() {
path=$1
cleanup=$2
cont=false
if [ -d $path ]; then
while true; do
read -p "Overwrite ${path}? [y/n] " yn
case $yn in
[Yy]* ) echo -e ""; rm -rf $path; mkdir -p $path >/dev/null 2>/dev/null; break
;;
[Nn]* ) echo -e "\n\e[0;31m\e[1mDirectory ${path} won't be created.\e[0m\n"; cont=true; `$cleanup`; break
;;
* ) echo -e "\e[0;31m\e[1mPlease answer yes or no.\e[0m\n"
;;
esac
done
else
mkdir -p $path >/dev/null 2>/dev/null
fi
if [ $cont == true ]; then
let ARGNUM--
continue
fi
}
parseArgs() { #Fixing this would be difficult.
if [ ${ARG} == "-e" ]; then #This very special arguments would fuck everything up if left to roam free...
SETTINGS_OUTPUT=true
let ARGNUM--
continue
fi
if [ `echo "${ARG}" | cut -c1-1` = "-" ]; then
if [ `echo "${ARG}" | cut -c2-2` = "H" ]; then
HIGHLIGHT_MODE=`echo "${ARG}" | cut -c3-3`
let ARGNUM--
fi
if [ `echo "${ARG}" | cut -c2-2` = "s" ]; then
PROXY_SCALE=`echo "${ARG}" | cut -c3-${#ARG} >/dev/null 2>/dev/null` #Might error. We'll check, no worries.
if [ -z $PROXY_SCALE ]; then
echo -e "\e[0;31m\e[1mNo proxy scale set!\e[0m\n"
exit 1
fi
let ARGNUM--
fi
#~ if [ `echo "${ARG}" | cut -c2-2` = "e" ]; then
#~ SETTINGS_OUTPUT=true
#~ let ARGNUM--
#~ fi
if [ `echo ${ARG} | cut -c2-2` = "u" ]; then
DUAL_ISO=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "E" ]; then
RANGE_BASE=$(echo ${ARG} | cut -c3-${#ARG})
isFR=false
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "F" ]; then
DARKFRAME=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "t" ]; then
tmpSat=`echo ${ARG} | cut -c3-${#ARG}`
SATPOINT="-S ${tmpSat}"
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "r" ]; then
FOUR_COLOR="-f"
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "f" ]; then
mode=`echo ${ARG} | cut -c3-3`
case ${mode} in
"0") IMG_FMT="exr"
;;
"1") IMG_FMT="tiff"
;;
"2") IMG_FMT="png"
;;
"3") IMG_FMT="dpx"
;;
esac
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "C" ]; then
mode=`echo ${ARG} | cut -c3-3`
case ${mode} in
"0") CHROMA_SMOOTH="--no-cs"
;;
"1") CHROMA_SMOOTH="--cs2x2"
;;
"2") CHROMA_SMOOTH="--cs3x3"
;;
"3") CHROMA_SMOOTH="--cs5x5"
;;
esac
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "y" ]; then
PYTHON=`echo ${ARG} | cut -c3-${#ARG}`
BAL="${PYTHON} balance.py"
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "v" ]; then
echo -e "convmlv v${VERSION}"
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "m" ]; then
MOVIE=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "c" ]; then
isCOMPRESS=false
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "L" ]; then
isScale=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "M" ]; then
MLV_DUMP=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "R" ]; then
RAW_DUMP=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "p" ]; then
PROXY=`echo ${ARG} | cut -c3-3`
case ${PROXY} in
"0") isJPG=false; isH264=false
;;
"1") isJPG=false; isH264=true
;;
"2") isJPG=true; isH264=false
;;
"3") isJPG=true; isH264=true
;;
esac
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "i" ]; then
IMAGES=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "o" ]; then
OUTDIR=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "a" ]; then
BADPIXEL_PATH=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "n" ]; then
setting=`echo ${ARG} | cut -c3-${#ARG}`
NOISE_REDUC="-n ${setting}"
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "T" ]; then
setting=`echo ${ARG} | cut -c3-${#ARG}`
THREADS=$setting
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "h" ]; then
help
exit 0
fi
if [ `echo ${ARG} | cut -c2-2` = "d" ]; then
DEMO_MODE=`echo ${ARG} | cut -c3-3`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "g" ]; then
mode=`echo ${ARG} | cut -c3-3`
case ${mode} in
"0") GAMMA="1 1"; SPACE="0"
;;
"1") GAMMA="2.2 0"; SPACE="2"
;;
"2") GAMMA="1.8 0"; SPACE="4"
;;
"3") GAMMA="2.4 12.9"; SPACE="1"
;;
"4") GAMMA="2.222 4.5"; SPACE="0"
;;
esac
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "S" ]; then
DEPTH=""
DEPTH_OUT=""
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "w" ]; then
mode=`echo ${ARG} | cut -c3-3`
case ${mode} in
"0") CAMERA_WB=false; GEN_WHITE=true #Will generate white balance.
;;
"1") CAMERA_WB=true; GEN_WHITE=false;
;;
"2") WHITE="-r 1 1 1 1"; CAMERA_WB=false; GEN_WHITE=false
;;
esac
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "K" ]; then
echo $DEB_DEPS
exit 0
fi
if [ `echo ${ARG} | cut -c2-2` = "l" ]; then
LUT_PATH=`echo ${ARG} | cut -c3-${#ARG}`
if [ ! -f $LUT_PATH ]; then
echo "LUT not found!!!"
echo $LUT_PATH
exit 1
fi
LUT="lut3d=${LUT_PATH}"
isLUT=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "b" ]; then
isBP=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "k" ]; then
KEEP_DNGS=true
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "B" ]; then
MLV_BP=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "A" ]; then
WHITE_SPD=`echo ${ARG} | cut -c3-${#ARG}`
let ARGNUM--
fi
if [ `echo ${ARG} | cut -c2-2` = "Y" ]; then
echo $PIP_DEPS
exit 0
fi
if [ `echo ${ARG} | cut -c2-2` = "N" ]; then
echo $MAN_DEPS
exit 0
fi
continue
fi
}
checkDeps() {
if [ ! -f $ARG ] && [ ! -d $ARG ]; then
echo -e "\e[0;31m\e[1mFile ${ARG} not found!\e[0m\n"
exit 1
fi
if [ ! -d $ARG ] && [ $(echo $(wc -c ${ARG} | cut -d " " -f1) / 1000 | bc) -lt 1000 ]; then #Check that the file is not too small.
cont=false
while true; do
read -p "${ARG} is unusually small at $(wc -c ${ARG})KB. Continue, skip, or remove? [c/s/r] " csr
case $ysr in
[Cc]* ) "\n\e[0;31m\e[1mContinuing.\e[0m\n"; break
;;
[Ss]* ) echo -e "\n\e[0;31m\e[1mSkipping.\e[0m\n"; cont=true; break
;;
[Rr]* ) echo -e "\n\e[0;31m\e[1mRemoving ${ARG}.\e[0m\n"; cont=true; rm $ARG; break
;;
* ) echo -e "\e[0;31m\e[1mPlease answer continue, skip, or remove.\e[0m\n"
;;
esac
done
if [ $cont == true ]; then
continue
fi
fi
if [ ! -f $DARKFRAME ] && [ $DARKFRAME != "" ]; then
echo -e "\e[0;31m\e[1mDarkframe MLV ${DARKFRAME} not found!\e[0m\n"
exit 1
fi
if [ ! -f $PYTHON_BAL ]; then
echo -e "\e[0;31m\e[1mAWB ${PYTHON_BAL} not found! Execution will continue without AWB.\e[0m\n"
fi
if [ ! -f $MLV_DUMP ]; then
echo -e "\e[0;31m\e[1m${MLV_DUMP} not found!\e[0m\n"
exit 1
fi
if [ ! -f $RAW_DUMP ]; then
echo -e "\e[0;31m\e[1m${RAW_DUMP} not found! Execution will continue without .RAW processing capability.\e[0m\n"
fi
if [ ! -f $MLV_BP ]; then
echo -e "\e[0;31m\e[1m${MLV_BP} not found! Execution will continue without badpixel removal.\e[0m\n"
fi
if [ ! -f $CR_HDR ]; then
echo -e "\e[0;31m\e[1m${CR_HDR} not found! Execution will continue without Dual ISO processing capability.\e[0m\n"
fi
}
bold() {
echo -e "\e[1m${1}\e[0m"
}
prntSet() {
cat << EOF
$(bold CameraName): ${CAM_NAME}
$(bold RecordingDate): ${REC_DATE}
$(bold RecordingTime): ${REC_TIME}
$(bold FPS): ${FPS}
$(bold TotalFrames): ${FRAMES}
$(bold Aperture): ${APERTURE}
$(bold ISO): ${ISO}
$(bold ShutterSpeed): ${SHUTTER}
$(bold WBKelvin): ${KELVIN}
$(bold FocalLength): ${LEN_FOCAL}
EOF
}
mlvSet() {
FPS=`${MLV_DUMP} -v -m ${ARG} | grep FPS | awk 'FNR == 1 {print $3}'`
CAM_NAME=`${MLV_DUMP} -v -m ${ARG} | grep 'Camera Name' | cut -d "'" -f 2`
FRAMES=`${MLV_DUMP} ${ARG} | awk '/Processed/ { print $2; }'` #Use actual processed frames as opposed to what the sometimes incorrect metadata thinks.
ISO=`${MLV_DUMP} -v -m ${ARG} | grep 'ISO' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f2`
APERTURE=`${MLV_DUMP} -v -m ${ARG} | grep 'Aperture' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f1`
LEN_FOCAL=`${MLV_DUMP} -v -m ${ARG} | grep 'Focal Len' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f1`
SHUTTER=`${MLV_DUMP} -v -m ${ARG} | grep 'Shutter' | sed 's/[[:alpha:] ]*: //' | grep -oP '\(\K[^)]+' | cut -d$'\n' -f1`
REC_DATE=`${MLV_DUMP} -v -m ${ARG} | grep 'Date' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f1`
REC_TIME=`${MLV_DUMP} -v -m ${ARG} | grep 'Time: [0-2][0-9]\:*' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f1`
KELVIN=`${MLV_DUMP} -v -m ${ARG} | grep 'Kelvin' | sed 's/[[:alpha:] ]*: //' | cut -d$'\n' -f1`
}
if [ $# == 0 ]; then
help
echo -e "\e[0;31m\e[1mNo arguments, no joy!!!\e[0m\n"
fi
ARGNUM=$#
for ARG in $*; do
#Evaluate command line arguments. ARGNUM decrements to keep track of how many files there are to process.
parseArgs # <-- Has a continue statement inside of it if we haven't reached the output.
#Check that things exist.
checkDeps
#The Very Basics
BASE="$(basename "$ARG")"
EXT="${BASE##*.}"
TRUNC_ARG="${BASE%.*}"
setBL=true
#Potentially Print Settings
if [ $SETTINGS_OUTPUT == true ]; then
if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
# Read the header for interesting settings :) .
mlvSet
echo -e "\n\e[1m\e[0;32m\e[1mFile\e[0m\e[0m: ${ARG}\n"
prntSet
continue
else
echo -e "Cannot print settings from ${ARG}; it's not an MLV file!"
fi
fi
#List remaining files to process.
remFiles=${@:`echo "$# - ($ARGNUM - 1)" | bc`:$#}
remArr=$(echo $remFiles)
list=""
for item in $remArr; do
if [ -z "${list}" ]; then
list="${item}"
else
list="${list}, ${item}"
fi
done
if [ $ARGNUM == 1 ]; then
echo -e "\n\e[1m${ARGNUM} File Left to Process:\e[0m ${list}\n"
else
echo -e "\n\e[1m${ARGNUM} Files Left to Process:\e[0m ${list}\n"
fi
#PREPARATION
#Establish Basic Directory Structure.
if [ $OUTDIR != $PWD ] && [ isOutGen == false ]; then
mkdir -p $OUTDIR #NO RISKS. WE REMEMBER THE LUT.py. RIP.
isOutGen=true
fi
FILE="${OUTDIR}/${TRUNC_ARG}"
TMP="${FILE}/tmp_${TRUNC_ARG}"
#Manage if it's a DNG argument. Also, create FILE and TMP.
DEVELOP=true
if [ -d $ARG ] && [ `basename ${ARG} | cut -c1-3` == "dng" ] && [ -f "${ARG}/../settings.txt" ]; then #If we're reusing a dng sequence, copy over before we delete the original.
echo -e "\e[1m${TRUNC_ARG}:\e[0m Moving DNGs from previous run...\n" #Use prespecified DNG sequence.
DNG_LOC=${OUTDIR}/tmp_reused
mkdir -p ${OUTDIR}/tmp_reused
find $ARG -iname "*.dng" | xargs -I {} mv {} $DNG_LOC #Copying DNGs to temporary location.
FPS=`cat ${ARG}/../settings.txt | grep "FPS" | cut -d $" " -f2` #Grab FPS from previous run.
FRAMES=`cat ${ARG}/../settings.txt | grep "Frames" | cut -d $" " -f2` #Grab FRAMES from previous run.
cp "${ARG}/../settings.txt" $DNG_LOC
TRUNC_ARG=`echo $TRUNC_ARG | cut -c5-${#TRUNC_ARG}`
oldARG=$ARG
ARG=$(dirname $ARG)/${TRUNC_ARG}
BASE="$(basename "$ARG")"
EXT="${BASE##*.}"
dngLocClean() {
find $DNG_LOC -iname "*.dng" | xargs -I {} mv {} $oldARG
rm -rf $DNG_LOC
}
FILE="${OUTDIR}/${TRUNC_ARG}"
TMP="${FILE}/tmp_${TRUNC_ARG}" #Remove dng_ from ARG by redefining basic constants. Ready to go!
mkdirS $FILE dngLocClean
mkdirS $TMP #Make the folders.
find $DNG_LOC -iname "*.dng" | xargs -I {} mv {} $TMP #Moving files to where they need to go.
cp "${DNG_LOC}/settings.txt" $FILE
setBL=false
DEVELOP=false
rm -r $DNG_LOC
elif [ -d $ARG ]; then #If it's a DNG sequence, but not a reused one.
mkdirS $FILE
mkdirS $TMP
FPS=24 #Set it to a safe default.
echo -e "\e[1m${TRUNC_ARG}:\e[0m Using specified folder of RAW sequences...\n" #Use prespecified DNG sequence.
find $ARG -iname "*.dng" | xargs -I {} cp {} $TMP #Copying DNGs to TMP.
FRAMES=$(find ${TMP} -name "*.dng" | wc -l)
else
mkdirS $FILE
mkdirS $TMP
fi
#Darkframe Averaging
if [ ! $DARKFRAME == "" ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Creating darkframe for subtraction...\n"
avgFrame="${TMP}/avg.darkframe" #The path to the averaged darkframe file.
darkBase="$(basename "$ARG")"
darkExt="${BASE##*.}"
if [ darkExt != 'darkframe' ]; then
$MLV_DUMP -o "${avgFrame}" -a $DARKFRAME >/dev/null 2>/dev/null
else
cp $DARKFRAME $avgFrame #Copy the preaveraged frame if the extension is .darkframe.
fi
DARK_PROC="-s ${avgFrame}"
fi
setRange() {
#FRAMES must be set at this point.
if [[ $isFR == true ]]; then #Ensure that FRAME_RANGE is set.
FRAME_RANGE="1-${FRAMES}"
FRAME_START="1"
FRAME_END=$FRAMES
else
base=$(echo $RANGE_BASE | sed -e 's:s:0:g' | sed -e "s:e:$(echo "$FRAMES - 1" | bc):g") #FRAMES is incremented in a moment.
#~ FRAME_RANGE_ZERO="$(echo $base | cut -d"-" -f1)-$(echo $base | cut -d"-" -f2)" #Number from 0. Useless as of now.
FRAME_RANGE="$(echo "$(echo $base | cut -d"-" -f1) + 1" | bc)-$(echo "$(echo $base | cut -d"-" -f2) + 1" | bc)" #Number from 1.
FRAME_START=$(echo ${FRAME_RANGE} | cut -d"-" -f1)
FRAME_END=$(echo ${FRAME_RANGE} | cut -d"-" -f2)
fi
}
#Develop sequence if needed.
if [ $DEVELOP == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Dumping to DNG Sequence...\n"
if [ ! $DARKFRAME == "" ] && [ ! $CHROMA_SMOOTH == "--no-cs" ]; then #Just to let the user know that certain features are impossible with RAW.
rawStat="*Skipping Darkframe subtraction and Chroma Smoothing for RAW file ${TRUNC_ARG}."
elif [ ! $DARKFRAME == "" ]; then
rawStat="*Skipping Darkframe subtraction for RAW file ${TRUNC_ARG}."
elif [ ! $CHROMA_SMOOTH == "--no-cs" ]; then
rawStat="*Skipping Chroma Smoothing for RAW file ${TRUNC_ARG}."
else
rawStat="\c"
fi
#IF extension is RAW, convert to MLV. All the newer features are MLV-only, because of mlv_dump's amazingness.
if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
# Read the header for interesting settings :) .
mlvSet
setRange
prntSet > $FILE/settings.txt
sed -i -r "s/\x1B\[([0-9]{1,2}(;[0-9]{1,2})?)?[m|K]//g" $FILE/settings.txt #Strip escape sequences.
#Dual ISO might want to do the chroma smoothing. In which case, don't do it now!
if [ $DUAL_ISO == true ]; then
smooth="--no-cs"
else
smooth=$CHROMA_SMOOTH
fi
#Create new MLV with adequate number of frames, if needed.
REAL_MLV=$ARG
REAL_FRAMES=$FRAMES
if [ $isFR == false ]; then
REAL_MLV="${TMP}/newer.mlv"
$MLV_DUMP $ARG -o ${REAL_MLV} -f ${FRAME_RANGE} >/dev/null 2>/dev/null
REAL_FRAMES=`${MLV_DUMP} ${REAL_MLV} | awk '/Processed/ { print $2; }'`
fi
fileRanges=(`echo $($SRANGE $REAL_FRAMES $THREADS)`)
$MLV_DUMP $REAL_MLV $DARK_PROC -o "${TMP}/${TRUNC_ARG}_" --dng $smooth --batch | {
while IFS= read -r line; do
output=$(echo $line | grep -Po 'V.*A' | cut -d':' -f2 | cut -d$' ' -f1)
if [[ $output == "" ]]; then
continue;
fi
cur=$(echo "$(echo "$output" | cut -d'/' -f1) + $(echo "$FRAME_START - 1" | bc)" | bc)
echo -e "\e[2K\rDumping MLV to DNG: Frame ${cur}/${FRAME_END}\c"
done
echo -e "\e[2K\rDumping MLV to DNG: Frame ${FRAME_END}/${FRAME_END}\c" #Ensure it looks right at the end.
echo -e "\n"
} #Progress Bar
#Renumber DNGs if needed.
if [ $isFR == false ]; then
count=$FRAME_START
tmpOut=${TMP}/tmpOut #Use temporary folder.
mkdir $tmpOut
for dng in ${TMP}/*.dng; do
if [ $count -gt $FRAME_END ]; then echo "ERROR! Count greater than end!"; fi
mv $dng $(printf "${tmpOut}/${TRUNC_ARG}_%06d.dng" $count)
let count++
done
mv $tmpOut/* $TMP
rm -r $tmpOut
fi
elif [ $EXT == "RAW" ] || [ $EXT == "raw" ]; then
echo -e $rawStat
FPS=`$RAW_DUMP $ARG "${TMP}/${TRUNC_ARG}_" | awk '/FPS/ { print $3; }'` #Run the dump while awking for the FPS.
fi
BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng)
fi
BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng) #Use the first DNG to get the correct black level.
setRange #Just to be sure the frame range was set, in case the input isn't MLV.
#Create badpixels file.
if [ $isBP == true ] && [ $DEVELOP == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Generating badpixels file...\n"
bad_name="badpixels_${TRUNC_ARG}.txt"
gen_bad="${TMP}/${bad_name}"
if [ $EXT == "MLV" ] || [ $EXT == "mlv" ]; then
$MLV_BP -o $gen_bad $ARG
elif [ $EXT == "RAW" ] || [ $EXT == "raw" ]; then
$MLV_BP -o $gen_bad $ARG
fi
if [[ ! -z $BADPIXEL_PATH ]]; then
if [ -f "${TMP}/${bad_name}" ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Concatenating with specified badpixels file...\n"
mv "${TMP}/${bad_name}" "${TMP}/bp_gen"
cp $BADPIXEL_PATH "${TMP}/bp_imp"
{ cat "${TMP}/bp_gen" && cat "${TMP}/bp_imp"; } > "${TMP}/${bad_name}" #Combine specified file with the generated file.
else
cp $BADPIXEL_PATH "${TMP}/${bad_name}"
fi
fi
BADPIXELS="-P ${gen_bad}"
elif [[ ! -z $BADPIXEL_PATH ]]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Using specified badpixels file...\n"
bad_name="badpixels_${TRUNC_ARG}.txt"
gen_bad="${TMP}/${bad_name}"
cp $BADPIXEL_PATH "${gen_bad}"
BADPIXELS="-P ${gen_bad}"
#~ echo $gen_bad
fi
#Dual ISO Conversion
if [ $DUAL_ISO == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Combining Dual ISO...\n"
#Original DNGs will be moved here.
oldFiles="${TMP}/orig_dng"
mkdirS $oldFiles
inc_iso() { #6 args: 1{} 2$CR_HDR 3$TMP 4$FRAME_END 5$oldFiles 6$CHROMA_SMOOTH. {} is a path. Progress is thread safe. Experiment gone right :).
count=$(echo "$(echo $(echo $1 | rev | cut -d "_" -f 1 | rev | cut -d "." -f 1 | grep "[0-9]") | bc) + 1" | bc) #Get count from filename.
$2 $1 $6 >/dev/null 2>/dev/null #The LQ option, --mean23, is completely unusable in my opinion.
name=$(basename "$1")
mv "${3}/${name%.*}.dng" $5 #Move away original dngs.
mv "${3}/${name%.*}.DNG" "${3}/${name%.*}.dng" #Rename *.DNG to *.dng.
echo -e "\e[2K\rDual ISO Development: Frame ${count}/${4}\c"
}
export -f inc_iso #Must expose function to subprocess.
find $TMP -maxdepth 1 -name "*.dng" -print0 | sort -z | cut -d '' --complement -f $FRAME_RANGE | tr -d '\n' | xargs -0 -I {} -n 1 mv {} $oldFiles #Move all the others to correct position.
find $TMP -maxdepth 1 -name "*.dng" -print0 | sort -z | xargs -0 -I {} -P $THREADS -n 1 bash -c "inc_iso '{}' '$CR_HDR' '$TMP' '$FRAME_END' '$oldFiles' '$CHROMA_SMOOTH'"
BLACK_LEVEL=$(exiftool -BlackLevel -s -s -s ${TMP}/${TRUNC_ARG}_$(printf "%06d" $(echo "$FRAME_START" | bc)).dng) #Use the first DNG to get the correct black level.
echo -e "\n"
fi
if [ $setBL == true ]; then
echo -e "BlackLevel: ${BLACK_LEVEL}" >> $FILE/settings.txt #Black level must now be set.
fi
normToOne() {
wBal=$1
max=0.0
for mult in $wBal; do
if [ $(echo " $mult > $max" | bc) -eq 1 ]; then
max=$mult
fi
done
for mult in $wBal; do
echo -e "$(echo "scale=6; x=${mult} / ${max}; if(x<1) print 0; x" | bc -l) \c" #BC is bae.
done
}
getGreen() {
wBal=$1
i=0
for mult in $wBal; do
if [ $i -eq 1 ]; then
echo -e "${mult}"
fi
let i++
done
}
#Get White Balance correction factor.
if [ $GEN_WHITE == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Generating WB...\n"
#Calculate n, the distance between samples.
if [ $WHITE_SPD -gt $FRAMES ]; then
WHITE_SPD=$FRAMES
fi
n=`echo "${FRAMES} / ${WHITE_SPD}" | bc`
toBal="${TMP}/toBal"
mkdirS $toBal
#Develop every nth file for averaging.
i=0
t=0
trap "rm -rf ${FILE}; exit 1" INT
for file in $TMP/*.dng; do
if [ `echo "(${i}+1) % ${n}" | bc` -eq 0 ]; then
dcraw -q 0 $BADPIXELS -r 1 1 1 1 -g $GAMMA -k $BLACK_LEVEL $SATPOINT -o $SPACE -T "${file}"
name=$(basename "$file")
mv "$TMP/${name%.*}.tiff" $toBal #TIFF MOVEMENT. We use TIFFs here because it's easy for dcraw and Python.
let t++
fi
echo -e "\e[2K\rWB Development: Sample ${t}/$(echo "${FRAMES} / $n" | bc) (Frame: $(echo "${i} + 1" | bc)/${FRAMES})\c"
let i++
done
echo ""
#Calculate + store result into a form dcraw likes.
echo -e "Calculating Auto White Balance..."
BALANCE=`$BAL $toBal`
elif [ $CAMERA_WB == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Retrieving Camera White Balance..."
trap "rm -rf ${FILE}; exit 1" INT
for file in $TMP/*.dng; do
#dcraw a single file verbosely, to get the camera multiplier with awk.
BALANCE=`dcraw -T -w -v -c ${file} 2>&1 | awk '/multipliers/ { print $2, $3, $4 }'`
break
done
else #Something must always be set.
echo -e "\e[1m${TRUNC_ARG}:\e[0m Ignoring White Balance..."
BALANCE="1.000000 1.000000 1.000000"
fi
#Finally, set the white balance after determining it.
if [ $isScale = false ]; then
BALANCE=$(normToOne "$BALANCE")
fi
green=$(getGreen "$BALANCE")
WHITE="-r ${BALANCE} ${green}"
echo -e "Correction Factor (RGBG): ${BALANCE} ${green}\n"
#Move .wav.
SOUND_PATH="${TMP}/${TRUNC_ARG}_.wav"
if [ ! -f $SOUND_PATH ]; then
echo -e "*Not moving .wav, because it doesn't exist.\n"
else
echo -e "*Moving .wav.\n"
cp $SOUND_PATH $FILE
fi
#DEFINE PROCESSING FUNCTIONS
dcrawOpt() { #Find, develop, and splay raw DNG data as ppm, ready to be processed.
find "${TMP}" -maxdepth 1 -iname "*.dng" -print0 | sort -z | cut -d '' -f $FRAME_RANGE | tr -d "\n" | xargs -0 \
dcraw -c -q $DEMO_MODE $FOUR_COLOR -k $BLACK_LEVEL $SATPOINT $BADPIXELS $WHITE -H $HIGHLIGHT_MODE -g $GAMMA $NOISE_REDUC -o $SPACE $DEPTH
} #Is prepared to pipe all the files in TMP outwards.
dcrawImg() { #Find and splay image sequence data as ppm, ready to be processed by ffmpeg.
find "${SEQ}" -maxdepth 1 -iname "*.${IMG_FMT}" -print0 | sort -z | xargs -0 -I {} convert '{}' ppm:-
} #Finds all images, prints to stdout quickly without any operations using convert.
mov_main() {
ffmpeg -f image2pipe -vcodec ppm -r $FPS -i pipe:0 \
-loglevel panic -stats $SOUND -vcodec prores_ks -n -r $FPS -profile:v 4444 -alpha_bits 0 -vendor ap4h $LUT $SOUND_ACTION "${VID}_hq.mov"
} #-loglevel panic -stats
mov_prox() {
ffmpeg -f image2pipe -vcodec ppm -r $FPS -i pipe:0 \
-loglevel panic -stats $SOUND -c:v libx264 -n -r $FPS -preset fast -vf "scale=trunc(iw/2)*${SCALE}:trunc(ih/2)*${SCALE}" -crf 23 $LUT -c:a mp3 "${VID}_lq.mp4"
} #The option -vf "scale=trunc(iw/2)*2:trunc(ih/2)*2" fixes when x264 is unhappy about non-2 divisible dimensions.
runSim() {
# Command: cat $PIPE | cmd1 & cmdOrig | tee $PIPE | cmd2
# cat $PIPE | cmd1 - gives output of pipe live. Pipes it into cmd1. Nothing yet; just setup.
# & - runs the next part in the background.
# cmdOrig | tee $PIPE | cmd2 - cmdOrig pipes into the tee, which splits it back into the previous pipe, piping on to cmd2!
# End Result: Output of cmdOrig is piped into cmd1 and cmd2, which execute, both printing to stdout.
cmdOrig=$1
cmd1=$2
cmd2=$3
#~ echo $cmdOrig $cmd1 $cmd2
#~ echo $($cmdOrig)
PIPE="${TMP}/pipe_vid" # $(date +%s%N | cut -b1-13)"
mkfifo $PIPE 2>/dev/null
cat $PIPE | $cmd1 & $cmdOrig | tee $PIPE | $cmd2 #The magic of simultaneous execution ^_^
#~ cat $PIPE | tr 'e' 'a' & echo 'hello' | tee $PIPE | tr 'e' 'o' #The magic of simultaneous execution ^_^
}
img_par() { #Takes 20 arguments: {} 2$DEMO_MODE 3$FOUR_COLOR 4$BADPIXELS 5$WHITE 6$HIGHLIGHT_MODE 7$GAMMA 8$NOISE_REDUC 9$DEPTH 10$SEQ 11$TRUNC_ARG 12$IMG_FMT 13$FRAME_END 14$DEPTH_OUT 15$COMPRESS 16$isJPG 17$PROXY_SCALE 18$PROXY 19$BLACK_LEVEL 20$SPACE 21$SATPOINT
count=$(echo $(echo $1 | rev | cut -d "_" -f 1 | rev | cut -d "." -f 1 | grep "[0-9]") | bc) #Instead of count from file, count from name!
if [ ${16} == true ]; then
dcraw -c -q $2 $3 $4 $5 -H $6 -k ${19} ${21} -g $7 $8 -o ${20} $9 $1 | \
tee >(convert ${14} - ${15} $(printf "${10}/${11}_%06d.${12}" ${count})) | \
convert - -quality 90 -resize ${17} $(printf "${18}/${11}_%06d.jpg" ${count})
echo -e "\e[2K\rDNG to ${12^^}/JPG: Frame ${count^^}/${13}\c"
else
dcraw -c -q $2 $3 $4 $5 -H $6 -k ${19} ${21} -g $7 $8 -o ${20} $9 $1 | \
convert ${14} - ${15} $(printf "${10}/${11}_%06d.${12}" ${count})
echo -e "\e[2K\rDNG to ${12^^}: Frame ${count^^}/${13}\c"
fi
}
export -f img_par
#PROCESSING
#IMAGE PROCESSING
if [ $IMAGES == true ] ; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Processing Image Sequence from Frame ${FRAME_START} to ${FRAME_END}...\n"
#Define Image Directories, Create SEQ directory
SEQ="${FILE}/${IMG_FMT}_${TRUNC_ARG}"
PROXY="${FILE}/proxy_${TRUNC_ARG}"
mkdirS $SEQ
if [ $isJPG == true ]; then
mkdirS $PROXY
fi
#Define hardcoded compression based on IMG_FMT
if [ $isCOMPRESS == true ]; then
if [ $IMG_FMT == "exr" ]; then
COMPRESS="-compress piz"
elif [ $IMG_FMT == "tiff" ]; then
COMPRESS="-compress zip"
elif [ $IMG_FMT == "png" ]; then
COMPRESS="-quality 9"
elif [ $IMG_FMT == "dpx" ]; then
COMPRESS="-compress rle"
fi
fi
#Convert all the actual DNGs to IMG_FMT, in parallel.
find "${TMP}" -maxdepth 1 -name '*.dng' -print0 | sort -z | xargs -0 -I {} -P $THREADS -n 1 \
bash -c "img_par '{}' '$DEMO_MODE' '$FOUR_COLOR' '$BADPIXELS' '$WHITE' '$HIGHLIGHT_MODE' '$GAMMA' '$NOISE_REDUC' '$DEPTH' \
'$SEQ' '$TRUNC_ARG' '$IMG_FMT' '$FRAME_END' '$DEPTH_OUT' '$COMPRESS' '$isJPG' '$PROXY_SCALE' '$PROXY' '$BLACK_LEVEL' '$SPACE' '$SATPOINT'"
# Removed | cut -d '' -f $FRAME_RANGE , as this happens when creating the DNGs in the first place.
if [ $isJPG == true ]; then #Make it print "Frame $FRAMES / $FRAMES" as the last output :).
echo -e "\e[2K\rDNG to ${IMG_FMT^^}/JPG: Frame ${FRAME_END}/${FRAME_END}\c"
else
echo -e "\e[2K\rDNG to ${IMG_FMT^^}: Frame ${FRAME_END}/${FRAME_END}\c"
fi
echo -e "\n"
#Apply a LUT to non-EXR images.
if [ $isLUT == true ]; then #Some way to package this into the development itself without piping hell?
if [ $IMG_FMT == "exr" ]; then
echo -e "*Cannot apply LUT to EXR sequences."
else
echo -e "\e[1m${TRUNC_ARG}:\e[0m Applying LUT to ${FRAMES} ${IMG_FMT^^}s...\n"
lutLoc="${TMP}/lut_conv"
mkdirS $lutLoc
find $SEQ -name "*.${IMG_FMT}" -print0 | cut -d '' -f $FRAME_RANGE | tr -d "\n" | xargs -0 -I '{}' mv {} "${lutLoc}"
ffmpeg -f image2 -i "${lutLoc}/${TRUNC_ARG}_%06d.${IMG_FMT}" -loglevel panic -stats -vf $LUT "${SEQ}/${TRUNC_ARG}_%06d.${IMG_FMT}"
fi
fi
fi
#MOVIE PROCESSING
VID="${FILE}/${TRUNC_ARG}"
SCALE=`echo "($(echo "${PROXY_SCALE}" | sed 's/%//') / 100) * 2" | bc -l` #Get scale as factor for halved video, *2 for 50%
SOUND="-i ${TMP}/${TRUNC_ARG}_.wav"
SOUND_ACTION="-c:a mp3"
if [ ! -f $SOUND_PATH ]; then
SOUND=""
SOUND_ACTION=""
fi
if [ $MOVIE == true ] && [ $IMAGES == false ]; then
#LUT is automatically applied if argument was passed.
if [ $isH264 == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Encoding to ProRes/H.264..."
runSim dcrawOpt mov_main mov_prox
else
echo -e "\e[1m${TRUNC_ARG}:\e[0m Encoding to ProRes..."
dcrawOpt | mov_main
fi
elif [ $MOVIE == true ] && [ $IMAGES == true ]; then #Use images if available, as opposed to developing the files again.
if [ $isH264 == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Encoding to ProRes/H.264..."
runSim dcrawImg mov_main mov_prox
else
echo -e "\e[1m${TRUNC_ARG}:\e[0m Encoding to ProRes..."
dcrawImg | mov_main
fi
fi
if [ $MOVIE == false ] && [ $isH264 == true ]; then
echo -e "\e[1m${TRUNC_ARG}:\e[0m Encoding to H.264..."
if [ $IMAGES == true ]; then
dcrawImg | mov_prox
else
dcrawOpt | mov_prox
fi
fi
echo -e "\n\e[1mCleaning Up.\e[0m\n"
#Potentially move DNGs.
if [ $KEEP_DNGS == true ]; then
DNG="${FILE}/dng_${TRUNC_ARG}"
mkdirS $DNG
if [ $DUAL_ISO == true ]; then
oldFiles="${TMP}/orig_dng"
find $oldFiles -name "*.dng" | xargs -I '{}' mv {} $DNG #Preserve the original, unprocessed DNGs.
else
find $TMP -name "*.dng" | xargs -I '{}' mv {} $DNG
fi
fi
#Delete tmp
rm -rf $TMP
let ARGNUM--
done
exit 0